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OUTSIDE THE LAW

NARRATIVES ON JUSTICE IN AMERICA

Good idea, disappointing result. Novelist Shreve (The Visiting Physician, 1996, etc.) and her novelist-to-be son, Porter, have collected short essays on justice authored not by lawyers or academics, but by writers addressing the subject through personal narratives. Running throughout these contributions is a central theme captured in the title: Justice cannot be reduced to questions of law. Unfortunately, the volume ultimately does not quite work. Selections that reflect personal experience, such as Richard Bausch's recollection of a racist remark made to a friend during his childhood, or a journalistic report, such as Blanche McCrary Boyd's account of the trial of Susan Smith, expose the potent emotions and nagging doubts that can surface when notions of justice are counterposed to clearcut questions of innocence or guilt. In contrast, the less focused and more abstract sets of reflections, notably John Casey's rather lengthy discussion of how questions of justice ``nourish'' fictional works, seem pallid and out of place. While the former outnumber the latter, however, in the end the whole volume adds up to less than the sum of its parts. The better essays are suggestive, but none are conclusive, and the overall effect is to leave the reader hanging in many different ways rather than illuminating the subject from a variety of perspectives. The premise that justice cannot be codified because it is a function of the complexities of real life is not only worth exploring, it may positively require more lengthy exploration than can be derived from short essays.

Pub Date: July 21, 1997

ISBN: 0-8070-4406-7

Page Count: 208

Publisher: Beacon Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1997

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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