by Susan Stoker ‧ RELEASE DATE: Aug. 4, 2015
Daxton Chambers may have found a woman tailor-made for him. Mackenzie Morgan wins the Ranger over not just with her curves,...
A Texas Ranger’s newly discovered romance may be threatened by a serial killer who buries women alive in Stoker’s (Protecting Jessyka, 2015, etc.) thriller, the first in a series.
Daxton Chambers may have found a woman tailor-made for him. Mackenzie Morgan wins the Ranger over not just with her curves, but her quirks—a tendency toward rambling and unmitigated clumsiness. Mackenzie also distracts Daxton from the case he’s working with the feds: finding the Lone Star Reaper, who’s been calling authorities to tell them where he’s buried his latest victims. The Reaper soon focuses his attention on Daxton and his new girlfriend. And the worst happens: Mackenzie calls him to say she’s somewhere underground—and doesn’t have long before she suffocates. The novel establishes its romance early and well. Mackenzie is a winsome protagonist who defies formula: she’s short, practical, and isn’t model-thin. It’s easy to see why Daxton find her so appealing, especially when she laughs after spilling a drink or food on herself. Daxton is, a little disappointingly, more stereotypical: muscular, masculine, protective, and sporting what Mackenzie calls a “fourteen-pack.” Their relationship builds naturally as they push past the initially awkward getting-to-know-you stage and inevitable sex scenes before dropping an “I love you” or two—all without ever being sappy. There’s not much thriller here. Daxton’s case steers clear of the foreground until Mackenzie is suddenly missing—her call to Daxton amping up the narrative’s intensity. Stoker ultimately reveals the Lone Star Reaper, but the killer’s identity and brief appearance are neither shocking nor particularly scary. But Daxton’s desperation to find Mackenzie is rousing and believable, and readers will have a white-knuckle read until the end.Pub Date: Aug. 4, 2015
ISBN: 978-1-943562-01-5
Page Count: -
Publisher: CreateSpace
Review Posted Online: July 29, 2015
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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