by Susan Verde ; illustrated by Peter H. Reynolds ‧ RELEASE DATE: March 12, 2013
Despite the missteps provoked by Verde’s verse, this “twirly-whirly” homage to a museum is, on balance, a sweet-natured and...
Verde and Reynolds deliver a simple premise with a charming payoff.
A lithe young girl (could she be the granddaughter of Jules Feiffer’s Village Voice Dancer?) gambols through a museum and responds to the art on the walls. Excited and enchanted, she almost dances through the galleries filled with work by such greats as Munch, Cezanne, Degas, Rodin and Van Gogh. Though the story unfolds in sometimes-awkward verse (“When I see / a work of art, / something / happens in / my heart. / I cannot stifle / my reaction. / My body just goes / into action”), Reynolds’ appealing pen-and-ink–with-wash illustrations are deceptively simple and wonderfully fluent. Employing a confident cartoony line that is at once elegant and eloquent, he adds subtle color to suggest and animate feelings and emotions. By the book’s close, primed by all the works of art she has seen, she projects her own imaginative images on a large, minimalist, “blank” white canvas. As she regretfully leaves the galleries, she now knows that “The museum lives / inside of me.”
Despite the missteps provoked by Verde’s verse, this “twirly-whirly” homage to a museum is, on balance, a sweet-natured and handsome celebration. (Picture book. 3-7)Pub Date: March 12, 2013
ISBN: 978-1-4197-0594-6
Page Count: 32
Publisher: Abrams
Review Posted Online: Jan. 27, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by Chloe Perkins ; illustrated by Sandra Equihua ‧ RELEASE DATE: Sept. 13, 2016
A nice but not requisite purchase.
A retelling of the classic fairy tale in board-book format and with a Mexican setting.
Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.
A nice but not requisite purchase. (Board book/fairy tale. 3-5)Pub Date: Sept. 13, 2016
ISBN: 978-1-4814-7915-8
Page Count: 24
Publisher: Little Simon/Simon & Schuster
Review Posted Online: Oct. 11, 2016
Kirkus Reviews Issue: Jan. 1, 2017
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by Abdul-Razak Zachariah ; illustrated by Keturah A. Bobo ‧ RELEASE DATE: July 2, 2019
Vital messages of self-love for darker-skinned children.
On hot summer nights, Amani’s parents permit her to go outside and play in the apartment courtyard, where the breeze is cool and her friends are waiting.
The children jump rope to the sounds of music as it floats through a neighbor’s window, gaze at stars in the night sky, and play hide-and-seek in the moonlight. It is in the moonlight that Amani and her friends are themselves found by the moon, and it illumines the many shades of their skin, which vary from light tan to deep brown. In a world where darkness often evokes ideas of evil or fear, this book is a celebration of things that are dark and beautiful—like a child’s dark skin and the night in which she plays. The lines “Show everyone else how to embrace the night like you. Teach them how to be a night-owning girl like you” are as much an appeal for her to love and appreciate her dark skin as they are the exhortation for Amani to enjoy the night. There is a sense of security that flows throughout this book. The courtyard is safe and homelike. The moon, like an additional parent, seems to be watching the children from the sky. The charming full-bleed illustrations, done in washes of mostly deep blues and greens, make this a wonderful bedtime story.
Vital messages of self-love for darker-skinned children. (Picture book. 3-7)Pub Date: July 2, 2019
ISBN: 978-0-525-55271-0
Page Count: 32
Publisher: Dial Books
Review Posted Online: March 16, 2019
Kirkus Reviews Issue: April 1, 2019
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