edited by Susannah Carson ‧ RELEASE DATE: April 9, 2013
Bardolaters, thespians, logophiles and followers of the muses Thalia and Melpomene—all will find light and warmth, comfort...
An eclectic collection of pieces from an eclectic collection of writers about reading, directing, performing and adoring the Bard of Avon.
The included writers agree on a few things, including the dreadful experiences they had with Shakespeare in secondary school—although Margaret Drabble felt quite the opposite; an amusing alliterative example from comic-book artist Conor McCreery: “I was taught that Shakespeare should scare the shit out of me.” Another bright thread in the weave of all the essays: an enduring affection for Shakespeare. Poet J.D. McClatchy calls him “the language’s premier poet.” Some contributors focus on individual plays. James Earl Jones has a long piece about his journeys with Othello; F. Murray Abraham writes about the complexities of Shylock; Eve Best compares Beatrice and Benedick with tennis legends Borg and McEnroe; Jane Smiley remembers how King Lear inspired A Thousand Acres; Joyce Carol Oates waxes academic about Antony and Cleopatra; Julie Taymor explains why she decided to cast Helen Mirren as “Prospera” in her film of The Tempest. Virtually all of the writers are generous to others in the Shakespeare world, although Jess Winfield has some unhappy words for Kenneth Branagh’s film of Hamlet. A couple of writers talk about the wonders of producing and performing Shakespeare at the reconstructed Globe in London, while others defend the late “problem” play Cymbeline. Maxine Hong Kingston recalls teaching Romeo and Juliet to adolescents. The least engaging essays tend to be those written by academics; the most, by those who have a passion for performance and a love of the language. Other contributors include Camille Paglia, Isabelle Allende and James Franco.
Bardolaters, thespians, logophiles and followers of the muses Thalia and Melpomene—all will find light and warmth, comfort and companionship in these glowing pages.Pub Date: April 9, 2013
ISBN: 978-0-307-74291-9
Page Count: 528
Publisher: Vintage
Review Posted Online: Feb. 3, 2013
Kirkus Reviews Issue: Feb. 15, 2013
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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