by T Cooper & illustrated by Alex Petrowsky ‧ RELEASE DATE: July 6, 2010
Outlandish and frequently hilarious.
An unlikely premise—a polar bear makes it big in Los Angeles and then crashes—but somehow Cooper (Lipshitz Six, or Two Angry Blondes, 2006, etc.) makes it work.
The book is categorized as a graphic novel, but it’s more of a novella with illustrations. Beaufort the polar bear lives at the Beaufort Sea and is separated from his mother when an ice floe breaks off due to global warming. Attracted to the glitz and glitter of Los Angeles, he hitches down to southern California and nabs a job waiting tables at the trendy restaurant Nobu. There he’s discovered by Leonardo DiCaprio and offered the role of Leo’s sidekick in the film Separation of Oil and State. The reviews are sensational, and Beaufort rides the wave of celebrity and its over-the-top lifestyle. He hooks up with supermodel Svava and starts turning down plum roles—like the polar bear in The Golden Compass 2: The Return of Whimsy—because he doesn’t want to be typecast. (To his chagrin, the role eventually goes to Bigfoot.) Beaufort starts hangin’ out with the likes of Demi and Ashton and hits the party circuit hard. His creative juices start to flow, and his ego expands, when he decides that what he really wants to do is write and direct, so he starts crafting a screenplay called Bear, a movie about the war in Iraq starring Shia LaBeouf as a Marine from Alaska “who gets called out by his bunkmates when they discover he secretly sleeps with a stuffed bear that he also totes in his pack throughout their deployment.” Unfortunately, the movie bombs, and Beaufort becomes a pariah in Tinseltown—after all, you’re only as good as your last film. In his depression and search for meaning, Beaufort turns to Scientology. Although he has a few commercial auditions—including one for Klondike Frozen Novelties—Beaufort feels his life spinning out of control, but he pulls himself together, enters a 12-step program for alcoholism and addiction and writes a one-bear show that becomes an off-Broadway hit.
Outlandish and frequently hilarious.Pub Date: July 6, 2010
ISBN: 978-1-935554-07-3
Page Count: 96
Publisher: Melville House
Review Posted Online: June 18, 2010
Kirkus Reviews Issue: July 15, 2010
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by J.D. Salinger ‧ RELEASE DATE: June 15, 1951
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2006
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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