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DOWN THE DARKEST ROAD by Tami Hoag

DOWN THE DARKEST ROAD

by Tami Hoag

Pub Date: Dec. 27th, 2011
ISBN: 978-0-525-95239-8
Publisher: Dutton

In Hoag's (Secrets to the Grave, 2010, etc.) latest literary suspense novel, Lauren Lawton, "ragged and torn and shredded," has retreated to bucolic Oak Knoll to heal.

The Lawtons lived the perfect life in nearby trendy Santa Barbara, and then their older daughter, Leslie, only 16, disappeared. It was certainly kidnapping, although no body was ever discovered. Lauren's husband couldn't recover from the tragedy and eventually died, apparently a suicide. Lauren always believed she knew who took Leslie, and her relentless pursuit of the shadowy Roland Ballencoa cost Lauren her social reputation and the support of the police. As the story moves to Oak Knoll, Hoag's regulars, Sheriff Detective Tony Mendez and retired FBI profiler Vince Leone and his wife Anne, a counselor, enter the narrative. Mendez begins an investigation, slowly coming to comprehend that Lauren isn't simply a woman mired in an unreconcilable past. Mendez learns that Ballencoa, a part-time photographer who has supposedly gone straight after serving time for a youthful sex crime, has followed Lauren to Oak Knoll. An intriguing new character in the familiar Hoag milieu is Santa Barbara police detective Danni Tanner, hard-bitten, cynical, sarcastic and totally dedicated. As Mendez probes deeper into Ballencoa's history and finds little solid evidence, Lauren relentlessly pushes for action, considers vigilantism and nears collapse because of guilt over her emotional neglect of younger daughter, Leah, now the same age as Leslie when kidnapped. With a shady private investigator named Gregory Hewitt as catalyst, the narrative ramps up to a gut-wrenching and violent conclusion, albeit one that leaves a minor plot point adrift. Hoag has an eye for a writerly turn of phrase—“another verse in a poem of futility”—which makes it all the more disconcerting to stumble upon a cliché or to find the author posing an analogy that compares both the bad guy's and the hero's gaze to that of a shark.

A mesmerizing psychological drama on loss, guilt, frustration and implacable, unexplainable evil.