Freaky, nasty, highly original, and unforgettable, whether you like it or not.
Elegant, creepy short stories with a horror-film sensibility.
If you look at the table of contents of Ison's (Rockaway, 2013, etc.) short story collection before you read the book, you will see a column of innocent-looking nouns. Cactus. Ball. Wig. Fish. Apology. After you finish, the same list shimmers with evil portent. That classic horror-movie elision, from friendly normalcy to nauseating terror, is made by most of these beautifully written, often first-person narratives. The title story is named for a game of fetch played with an ugly little dog the narrator halfheartedly adopts but then falls for utterly. "I loved her so much it was numbing, and sometimes, to jab a feeling at myself, I fantasized about her dying." The relentless, autonomic neediness that drives the dog to insist on playing ball is mirrored in a sexual affair the narrator is conducting with her best friend's neighbor, who is a "wonderfully alpine six-feet-four" and is "brusque and unsheepish, as fearless of sex as a porn star." This attitude toward sex characterizes the narrative voice itself as it describes the man's penis and the dog's vagina with equal precision. The tale ends with a horrible betrayal and the surreal violence of a campfire ghost story. Betrayal is a central theme in many other stories as well. In "Wig," the narrator lovingly cares for her best friend who's dying of cancer while carrying on an affair with her husband. In "Apology," a wife resorts to gothic self-mutilation to win back her husband after he walks in on her with another man in their bed. Sexual degradation and abuse is everywhere: in an after-school job at a bakery, in the hospital where an old uncle is dying, on the website of an Internet dominatrix. And bizarre, extravagant death—by cactus, by knitting, by famous boyfriend—is never far away.
Freaky, nasty, highly original, and unforgettable, whether you like it or not.Pub Date: Nov. 10, 2015
ISBN: 978-1593766221
Page Count: 232
Publisher: Soft Skull Press
Review Posted Online: Aug. 15, 2015
Kirkus Reviews Issue: Sept. 1, 2015
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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