by Tara Lazar ; illustrated by Mike Boldt ‧ RELEASE DATE: July 6, 2021
Easy laughs.
An extraterrestrial who looks like a dog tries to prove his mettle by conquering Earth.
Bloop, a green ET that resembles a pug with antennae, is next in line to rule Planet XYZ. He tries but fails to follow the emperor’s “rules, regulations, and robots,” but the illustrations show the chaos that follows in Bloop’s chaotic, albeit joyful, wake. “Bloop! Too many bloopers” the emperor proclaims and banishes Bloop to the “crazy planet” Earth. Readers can assume the emperor is Bloop’s father, given the resemblance. If Bloop can conquer Earth, the emperor reasons, his worthiness to rule XYZ will be proved. Bright colors and characterizations in a cartoon-esque style take center stage. On Earth, Bloop has trouble reigning supreme. Bloop interprets the way humans care for dogs as an indicator that dogs rule the planet, so he focuses on learning their secrets. Sadly, the dogs pay no attention to him, and Bloop is still making “too many bloopers” according to the emperor. He commands Bloop to pretend he’s an Earth dog. In the end, Bloop must choose between his cushy new home where he rules the roost—and receives plenty of love and affection—and his old world. It’s no contest. Bloop’s human family appears to be interracial, with a Black father, White mother, and mixed-race child.
Easy laughs. (Picture book. 4-6)Pub Date: July 6, 2021
ISBN: 978-0-06-287160-2
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: May 18, 2021
Kirkus Reviews Issue: June 1, 2021
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by John Segal and illustrated by John Segal ‧ RELEASE DATE: March 1, 2011
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
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