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SHANGHAI GRAND

FORBIDDEN LOVE AND INTERNATIONAL INTRIGUE IN A DOOMED WORLD

Grescoe exuberantly captures the glamour and intrigue of a lost world.

An intrepid journalist in free-wheeling 1930s Shanghai.

At that time, Shanghai was “one of the most cosmopolitan places on the face of the earth,” replete with “gin slings and sing-song girls, rickshaw coolies and Bolshevik spies.” It was a place, writes journalist Grescoe (Straphanger: Saving Our Cities and Ourselves from the Automobile, 2012, etc.) in this lively biography of a city and some of its colorful inhabitants, “to which the ambitious, the wily, and the desperate could escape to discard old identities and recreate their lives from scratch.” New Yorker writer Emily Hahn arrived there in 1935, intending to stay for two weeks. She fled, along with other expatriates, in 1943. Those eight years were filled with adventure, danger, love, and sex. She soon met the “free-spending playboy” and real estate mogul Sir Victor Sassoon, who had built, among many other edifices, the sumptuous Cathay Hotel, “the best address in the Far East.” He lived in its penthouse, where he entertained the rich, famous, and beautiful, such as the 30-year-old Hahn. Besides accepting gifts from Sir Victor, Hahn supported herself by reporting for a Shanghai newspaper, and soon she began to contribute pieces about exotic China to the New Yorker. Among them were “pen portraits” of a man she called Pan Heh-ven. He was Zau Sinmay, a famous poet—dashing, handsome, “fabulously wealthy”—and her lover. When he balked at being the subject of her “cultural stereotyping,” she was unapologetic: “I use people,” she said. Sinmay introduced her to smoking opium, which accelerated from “a harmless indulgence” to a 12-pipe-per-day addiction before she checked into a hospital for a cure. Hahn’s challenges intensified during the 13-week Battle of Shanghai in 1937, turbulent Chinese politics, and the Japanese occupation. The author deftly follows Hahn’s adventures through this “city of legend.”

Grescoe exuberantly captures the glamour and intrigue of a lost world.

Pub Date: June 14, 2016

ISBN: 978-1-250-04971-1

Page Count: 432

Publisher: St. Martin's

Review Posted Online: March 27, 2016

Kirkus Reviews Issue: April 15, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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