A ponderously ornate, red herring–replete, but mildly diverting mystery.
Lady Emily Ashton returns, this time to decipher Marie Antoinette’s letters, solve a pair of murders and stop a pretender to the Bourbon throne.
Alluring widow of substance Emily would prefer to enjoy her usual pursuits: translating Homer, drinking port (an outré tipple for Victorian ladies) and keeping suitors, such as dashing Colin Hargreaves and Duke Jeremy Bainbridge, at bay. But it’s the London Season, and Emily’s mother is pressing her to remarry while her friends want her to circulate. Society is lionizing a newcomer, Charles Berry. Claiming direct lineage to Louis XVI, he aims to topple the République and claim his throne. Emily is repelled by Charles, who’s angling to groom her as his future Madame de Pompadour, but these petty concerns soon fade: Her townhouse is invaded by a cat burglar who specializes in the former property of Marie Antoinette. The burglar also papers Emily with billets-doux in ancient Greek. After she convinces an acquaintance, David Francis, to report the theft of his pink diamond (another of Marie’s treasures), David and his valet turn up dead, both poisoned by nicotine-laced shaving cream. A housemaid is charged with both murders when the nicotine, an aphid-killer, is traced to her gardener lover. Hargreaves repairs to France, where he’ll work behind the scenes to thwart Charles’s ambitions. Meanwhile, Emily starts decoding a packet of letters given her by Beatrice, David’s widow. They are Marie Antoinette’s letters from prison to a trusted confidant who was supervising the care of her son, the dauphin. While nimbly sidestepping attempts on her life and assaults on her reputation, Emily cracks the letters’ coded plans: to smuggle the dauphin to England in the care of a servant. When her burglar reveals himself as a descendant of the servant family sworn to protect the Bourbon heirs, she deduces the real identities of David Francis and his illegitimate son, whose secret she must guard until she decides whether to marry again.
A ponderously ornate, red herring–replete, but mildly diverting mystery.Pub Date: April 1, 2007
ISBN: 0-06-117414-9
Page Count: 320
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2007
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
A thoughtful and pensive tale with intelligent characters and a satisfying romance.
A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.
Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.
A thoughtful and pensive tale with intelligent characters and a satisfying romance.Pub Date: Feb. 26, 2019
ISBN: 978-1-64063-533-3
Page Count: 432
Publisher: Entangled: Amara
Review Posted Online: Jan. 2, 2019
Kirkus Reviews Issue: Feb. 15, 2019
Review Program: Kirkus Indie
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