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BEFORE YOU JUDGE ME

THE TRIUMPH AND TRAGEDY OF MICHAEL JACKSON'S LAST DAYS

This compact biography should please Jackson’s fans even if it doesn’t break new ground in exploring the singer’s life.

TV and radio host Smiley (My Journey with Maya, 2015, etc.) and his frequent writing collaborator Ritz tell the story of the 16 weeks preceding the death of singer Michael Jackson (1958-2009).

Before he died, the King of Pop was preparing for a series of comeback concerts in London. He was also doing a lot of shopping, playing with his three children, watching Shirley Temple movies, making questionable business decisions, receiving almost daily Botox injections, taking an increasing number of prescription painkillers, and suffering from a degree of insomnia that caused him to enlist a doctor to administer the anesthetics that led to his death. The authors delve through a wealth of research material to create a nearly day-by-day account of Jackson’s last weeks, with occasional glimpses into his earlier life. Smiley and Ritz are clearly sympathetic to their subject, sometimes to the point of glossing over Jackson’s more questionable choices and actions. In occasionally purple prose, the authors ratchet up the suspense and drama of this period of the singer’s life, ending most of the brief chapters with some variant on, “Sleep, the most precious of commodities, eluded him,” or “sleep, precious sleep, comes not at all.” The most intriguing sections of the book unravel the complicated business relationships in which Jackson was involved, his attempts to separate himself from his parents and siblings, and his efforts to push his art further while his fans were demanding more of the same. The authors, who set out to understand why their subject died at 50, end up asking a different question: “Given the extraordinary obstacles he faced, the stresses that pulled him apart, how did Michael survive as long as he did?”

This compact biography should please Jackson’s fans even if it doesn’t break new ground in exploring the singer’s life.

Pub Date: June 21, 2016

ISBN: 978-0-316-25909-5

Page Count: 288

Publisher: Little, Brown

Review Posted Online: April 12, 2016

Kirkus Reviews Issue: May 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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