As Honderich would have it, whether you read his book is not a matter of choice. Nonetheless, recommended for those with...
Honderich (Philosophy/University College, London) ponders an age-old question—are we free agents or pawns of unknown forces?—and winds up embracing determinism.
The author arrives at this conclusion through a series of closely argued deductions and thought experiments (readers unfamiliar with the terms of standard philosophical debate will welcome the excellent glossary at the end). His basic point is that all our actions are effects resulting from earlier causes; there is, then, no room for free will. Evidence for this lies, he believes, in a careful study of human neurology. He rejects epiphenomenalism, the theory that the mind is a byproduct of brain activity; rather, he sees actions as caused by "psychoneural'' events that involve the combined effort of mind and brain. Nonetheless, Honderich argues that there is in fact no "self'' within us that originates actions. His weakest moment comes when confronting the most popular recent challenge to determinism, quantum theory, which insists on the uncertainty of events within the subatomic world; here, his response is that maybe subatomic events don't have much to do with our level of reality, and, in any case, a new physics may come along that is based on determinism. Extrapolating his position into social spheres, he points out that in a determinist world there is no room for moral blame, and therefore punishment for the sake of punishment should be abolished; also, he suggests, those who deny free will may choose to move to the political left, which emphasizes social remedies over individual responsibility.
As Honderich would have it, whether you read his book is not a matter of choice. Nonetheless, recommended for those with well- muscled brains.Pub Date: Oct. 1, 1993
ISBN: 0-19-212328-9
Page Count: 160
Publisher: Oxford Univ.
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1993
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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