A quick series of precise poems by an American master.
Kooser, a former U.S. poet laureate, finds moral drama in rural stillness over the course of his latest poetry chapbook.
In these 18 poems, people watch and are watched; a woman crosses a highway to pick up her mail, a bull guards a field of cows, and the eponymous raker takes a break from work: “he’d been watching the rake / tick around clockwise, minute to minute, / a fine afternoon passing forever away, / but he’s figured out now how to slow it / all down….” Slowing it all down is often just what these poems are after. The works find inspiration in tiny happenings: “I watched a glint of morning sunlight / climbing a thread of spider’s silk / in a gentle breeze” begins “A Glint.” Another, about a farmer at a titular “Farm Sale,” ends, “He’s got / his cap on square, nothing better / to do on a warm Saturday morning / than to park at the far end of / where all of the others have parked, / and to walk up the road, in no hurry / to see what’s for sale at the sale.” In these quiet rhythms of American rural life—the moments between work and whatever comes next—Kooser, a Pulitzer Prize winner, seeks the sublime, and he crafts lyrics out of accessible, everyday language. He finds music in the creaking of old farmhouses, the pump of well water, and the squealing of piglets in a cardboard box. It’s a slim collection, but every poem leaves a mark. The highlight is perhaps “A Mouse Nest,” which reimagines Robert Burns’ famous discovery of a mouse’s hovel. In Kooser’s work, the nest is in the steel housing of a basement band saw. After the speaker dismantles the nest, he returns later to see if the mouse and its young are still present: “every trace of what had happened to us there / was gone, except for a little red fiberboard sawdust.” These poems, too, are like this sawdust—what remains of a happening experienced and then gone.
A quick series of precise poems by an American master.Pub Date: March 15, 2022
ISBN: 978-1-73497-917-6
Page Count: 32
Publisher: Clyde Hill Publishing
Review Posted Online: Feb. 2, 2022
Kirkus Reviews Issue: March 15, 2022
Review Program: Kirkus Indie
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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