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I WAS A TEENAGE PROFESSIONAL WRESTLER

The title says it all: Lewin—one of the best illustrators working in children's books—got his start as a wrestler. Sid Lewin, his short father, had three tall sons to whom roughhousing and body building were a way of life. When Ted's older brother Donn came back from WW II, he got into pro wrestling to make a living; when Ted (who'd been going to matches and practicing moves with younger brother Mark) needed money for art school in 1952, Donn helped him get started. Lewin doesn't explain the wrestling world—where the money came from, who was making it; and he doesn't say much about rules of the sport, though his descriptions of moves and matches are graphic. What he does do, in these vivid vignettes, is depict a close-knit world of men who were mixed and matched from makeshift rings to Madison Square Garden, where they assumed roles and played crowds that could be as dangerous as any opponent (he mentions riots and knifings). The telling glimpses of the sport, the men, and their camaraderie are fascinating; comically described family scenes and dozens of photos round out the picture. Grouped in a color insert, Lewin's powerful paintings of wrestlers are more introspective, revealing the compassion he's brought to picture books like Sami and the Time of Troubles (1992) and offering a tantalizing taste of what's not said here. (Are these recent? One would like to know.) A compelling memoir. Glossary of ``Wrestling Lingo'' and ``Holds.'' (Autobiography. 11+)

Pub Date: April 1, 1993

ISBN: 0-531-05477-2

Page Count: 128

Publisher: Orchard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1993

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THE NEW QUEER CONSCIENCE

From the Pocket Change Collective series

Small but mighty necessary reading.

A miniature manifesto for radical queer acceptance that weaves together the personal and political.

Eli, a cis gay white Jewish man, uses his own identities and experiences to frame and acknowledge his perspective. In the prologue, Eli compares the global Jewish community to the global queer community, noting, “We don’t always get it right, but the importance of showing up for other Jews has been carved into the DNA of what it means to be Jewish. It is my dream that queer people develop the same ideology—what I like to call a Global Queer Conscience.” He details his own isolating experiences as a queer adolescent in an Orthodox Jewish community and reflects on how he and so many others would have benefitted from a robust and supportive queer community. The rest of the book outlines 10 principles based on the belief that an expectation of mutual care and concern across various other dimensions of identity can be integrated into queer community values. Eli’s prose is clear, straightforward, and powerful. While he makes some choices that may be divisive—for example, using the initialism LGBTQIAA+ which includes “ally”—he always makes clear those are his personal choices and that the language is ever evolving.

Small but mighty necessary reading. (resources) (Nonfiction. 14-18)

Pub Date: June 2, 2020

ISBN: 978-0-593-09368-9

Page Count: 64

Publisher: Penguin Workshop

Review Posted Online: March 28, 2020

Kirkus Reviews Issue: April 15, 2020

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BINDING 13

From the Boys of Tommen series , Vol. 1

A troubling depiction of an unhealthy relationship.

A battered girl and an injured rugby star spark up an ill-advised romance at an Irish secondary school.

Beautiful, waiflike, 15-year-old Shannon has lived her entire life in Ballylaggin. Alternately bullied at school and beaten by her ne’er-do-well father, she’s hopeful for a fresh start at Tommen, a private school. Seventeen-year-old Johnny, who has a hair-trigger temper and a severe groin injury, is used to Dublin’s elite-level rugby but, since his family’s move to County Cork, is now stuck captaining Tommen’s middling team. When Johnny angrily kicks a ball and knocks Shannon unconscious (“a soft female groan came from her lips”), a tentative relationship is born. As the two grow closer, Johnny’s past and Shannon’s present become serious obstacles to their budding love, threatening Shannon’s safety. Shannon’s portrayal feels infantilized (“I looked down at the tiny little female under my arm”), while Johnny comes across as borderline obsessive (“I knew I shouldn’t be touching her, but how the hell could I not?”). Uneven pacing and choppy sentences lead to a sudden climax and an unsatisfyingly abrupt ending. Repetitive descriptions, abundant and misogynistic dialogue (Johnny, to his best friend: “who’s the bitch with a vagina now?”), and graphic violence also weigh down this lengthy tome (considerably trimmed down from its original, self-published length). The cast of lively, well-developed supporting characters, especially Johnny’s best friend and Shannon’s protective older brother, is a bright spot. Major characters read white.

A troubling depiction of an unhealthy relationship. (author’s note, pronunciations, glossary, song moments, playlists) (Romance. 16-18)

Pub Date: Nov. 28, 2023

ISBN: 9781728299945

Page Count: 626

Publisher: Bloom Books

Review Posted Online: Oct. 21, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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