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THE SEVENTH EFFECT

Kuch’s debut thriller combines technology and an unusual method of terrorism.

Former cop Duane Rondo has fallen into a job near Washington, D.C., using a program called ISPI to gather information—even the smallest details—on individuals who seem suspicious or are running for a position in the government. That’s how he discovers the perfectly clear record of Sybille Haskin, a nominee for secretary of Homeland Security, and comes to the conclusion that someone is tampering with top-secret, supposedly secure information in order to make sure that Haskin lands the governmental position. Rondo will stop at nothing to get the information he wants, from giving Haskin a ticket that she doesn’t deserve in order to track it through ISPI, to taking her to bed. What follows is a loosely plotted tumble down a rabbit hole of suspicion within the organization, interchangeable government officials and extraneous characters, a hunt for Rondo by amateur terrorists, spying, techno-speak, unanticipated humor and a galvanizing chase scene that ends in another country and raises more questions. The story is also sprinkled with hints of information via ISPI searches regarding the long-term effects of the nonfatal mustard gas to be used in a massive terror plot as well as excessively detailed peeks into Rondo’s relationship with his cat. While the concept of slow-moving, silent terrorism is unnerving and the intended execution of the plot to spread mustard gas seems feasible, there are several questions left at the end, even after the major threat has been extinguished. The story presents an atypical terrorism concept, a shocking dose of humor and a handful of riveting scenes, but misses the mark by not tying up all the loose ends and introducing an unwieldy number of characters.

 

Pub Date: March 15, 2011

ISBN: 978-1612351674

Page Count: 180

Publisher: Mélange

Review Posted Online: March 20, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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