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GO HOME

Meaty and complex; a slow-paced, character-driven tale.

In a rural community plagued by racism, young neighbors forge an unexpected friendship.

A new family has moved in across the street from 16-year-old Olive and her mom. Olive recognizes the boy, Samir, from English class. After being deported from Bhutan and living in a refugee camp, Samir and his family have settled in coastal New Hampshire, where they plan to open a Nepali restaurant, a unique contribution to the predominantly white community. Olive’s boyfriend, Gabe, who’s influenced by his white supremacist family’s harsh anti-immigration stance, blames immigrants for taking jobs from Americans and smuggling fentanyl into the country. Olive is deeply in love with Gabe despite his racism and aggression, but she begins to question their relationship when Gabe targets Samir with physical violence and verbal abuse, taunting him to “go home.” After someone throws a brick through Samir’s window, Olive wonders whether Gabe is involved. And as the racist attacks against Samir and his family intensify, Olive’s forced to reevaluate her future with Gabe in a compelling character arc. Readers follow the leads through alternating third-person chapters as their stories gradually unfold, until their voices converge in a final chapter headed “Samir and Olive.” The teens discover a deep connection through warm moments, such as Olive’s teaching Samir to swim. The interplay between the new friends, who are united by dreams of a better life, is quietly absorbing.

Meaty and complex; a slow-paced, character-driven tale. (historical note, authors’ notes) (Fiction. 13-18)

Pub Date: Aug. 6, 2024

ISBN: 9781773069104

Page Count: 304

Publisher: Groundwood

Review Posted Online: May 30, 2024

Kirkus Reviews Issue: July 1, 2024

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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HAZELTHORN

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful.

A family’s secrets rise to the surface as a young man investigates a suspected murder.

Evander, who’s 17 and lonely, never leaves his room in the manor on Hazelthorn Estate. He’s told he’s too fragile and is locked away “for his safety” while an elderly butler feeds him brain-addling “medicine.” But one night changes Evander’s life—and the manor’s future—forever. Byron Lennox-Hall, Evander’s billionaire guardian and the family’s patriarch, dies unexpectedly. Relatives descend upon Hazelthorn like vultures as a shocking twist reveals that Byron left everything to Evander alone. Without Byron around to keep his only grandchild and presumed heir, Laurence “Laurie” Lennox-Hall, away from his ward, Laurie and Evander become the unlikeliest of allies. When they were boys, Laurie attempted to kill Evander—but, maddeningly, Evander can’t stop thinking about him. He also suspects that someone murdered Byron. Drews’ latest starts off as a straightforward whodunit and turns into something that’s far more sinister—and delicious. From descriptions of moth-eaten decay to vivid floral imagery, Drews luxuriates in atmospheric prose. Their literary green thumb nurtures intertwining themes of monstrosity and abuse alongside yearning, first love, queerness, and mystery. The slow-burn romance at the root of this blend of gothic and body horror is as tender as it is unforgettable. Evander is cued as autistic, and main characters present white.

A uniquely arranged bouquet of terrors, as disturbing as it is beautiful. (author’s note) (Horror. 13-18)

Pub Date: Oct. 28, 2025

ISBN: 9781250376299

Page Count: 368

Publisher: Feiwel & Friends

Review Posted Online: Aug. 2, 2025

Kirkus Reviews Issue: Sept. 1, 2025

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