by Tess Weaver & illustrated by Debbie Tilley ‧ RELEASE DATE: May 19, 2008
Not that it doesn’t have its charms, but Weaver’s story about finding a calling is pretty silly. Then again, its goofiness is its saving grace. Young Frederick loves his local state fair and nothing would make him happier than to take home a prize ribbon from one of its contests. The trouble is his mouth: It’s motorized, blabbering and backfiring and sinking his ambitions. Notwithstanding his yapper, he has pluck and energy, but he still hasn’t discovered a talent as the state fair nears. His mother recommends entering the Boys’ Fashion Fair, and here the story gets seriously zany. Frederick duly knocks out a crazy-wild shirt, rendered particularly so by Tilley’s clamorous watercolors. He is mightily discouraged when he sees the polished entries of the competition, until a slice of pure manna—a stroke of utterly wacky convenience—falls from heaven into his purview, and he makes it his own. Ribbons follow. Forget about following your dreams and cultivating innate abilities. Read this book with Frederick’s brio and it will pay for itself. (Picture book. 4-8)
Pub Date: May 19, 2008
ISBN: 978-0-618-45239-2
Page Count: 32
Publisher: Clarion Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 1, 2008
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by Tess Weaver & illustrated by Andrea Wesson
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by Tess Weaver & illustrated by Emily Arnold McCully
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by Tess Weaver & illustrated by Andrea Wesson
by Loren Long & illustrated by Loren Long ‧ RELEASE DATE: Sept. 1, 2009
Continuing to find inspiration in the work of Virginia Lee Burton, Munro Leaf and other illustrators of the past, Long (The Little Engine That Could, 2005) offers an aw-shucks friendship tale that features a small but hardworking tractor (“putt puff puttedy chuff”) with a Little Toot–style face and a big-eared young descendant of Ferdinand the bull who gets stuck in deep, gooey mud. After the big new yellow tractor, crowds of overalls-clad locals and a red fire engine all fail to pull her out, the little tractor (who had been left behind the barn to rust after the arrival of the new tractor) comes putt-puff-puttedy-chuff-ing down the hill to entice his terrified bovine buddy successfully back to dry ground. Short on internal logic but long on creamy scenes of calf and tractor either gamboling energetically with a gaggle of McCloskey-like geese through neutral-toned fields or resting peacefully in the shade of a gnarled tree (apple, not cork), the episode will certainly draw nostalgic adults. Considering the author’s track record and influences, it may find a welcome from younger audiences too. (Picture book. 5-8)
Pub Date: Sept. 1, 2009
ISBN: 978-0-399-25248-8
Page Count: 40
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 2009
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by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
by Loren Long ; illustrated by Loren Long
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SEEN & HEARD
by Stephen King ; illustrated by Maurice Sendak ‧ RELEASE DATE: Sept. 2, 2025
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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