It’s light on plot, and those grim Chopik academics are close to straw men, but so what? Ziolkowski is off to a fine start.
What to do about Seth? The self-destructive punk roils a Kansas household in this sparkling debut.
Lewis Chopik has come home to Wichita to lick his wounds. The young graduate (Columbia, summa cum laude) should be buoyant, but he’s been dumped by his girlfriend, who’s traded up to snag a Rhodes Scholar. And he’s being badgered by his father Virgil, a Columbia professor and part of a formidable clan of academics, to pursue his studies, an unwelcome prospect. All his divorced mother Abby wants is for him to be happy. However, any hope of peace and quiet back home dissolves when his 20-year-old brother Seth appears. He’s been on a downward spiral since age 14, when a morning-glory trip convinced him death was an attractive destination. Since then he’s been tentatively diagnosed as bipolar; briefly married to a stripper in San Francisco; and almost killed by fellow street punks. He fits right in at Abby’s. His indulgent mom has always provided “havens for oddballs,” while busying herself with New -Age projects and a succession of “lifetime companions.” Her latest companion is unhappily sharing her with Bishop, a genial university chemistry teacher who’s cooking up “designer psychedelics” in Abby’s basement; he’s also helping her set up her latest project: storm-chasing with a New -Age twist. There’s never a dull moment in a novel which fires us up with snappy and often very funny dialogue; Seth, deranged but smart (those Chopik genes), takes down anyone in earshot with gleeful malice. The central relationship is that between the two brothers; Lewis loves Seth dearly but is powerless to slow his descent. They will be ejected from a bowling alley and a biker bar; after Seth’s frightening rant in a graveyard, Lewis realizes he must be committed. Then the whole gang takes off after a tornado—for Seth, the perfect solution.
It’s light on plot, and those grim Chopik academics are close to straw men, but so what? Ziolkowski is off to a fine start.Pub Date: May 1, 2012
ISBN: 978-1-60945-070-0
Page Count: 256
Publisher: Europa Editions
Review Posted Online: April 20, 2012
Kirkus Reviews Issue: April 1, 2012
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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