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LITTLE RED RIDING HOOD

Bland at first glance, appropriately eerie and disquieting on closer examination.

An accordion-folded edition of the classic cautionary story, with deceptively simple cut-out illustrations on card stock that can be viewed in color or, reversed, as silhouettes.

The text—strictly an afterthought, printed in tiny type and so ill-fitting that the final passages spill out onto the rear cover—is Margaret Hunt’s 19th-century translation with Little Red-Cap’s name altered despite the fact that a cap is what she’s wearing in the pictures. Children will know how the story goes anyway, and they will have no trouble following along as the doll-like, apple-cheeked child meets a properly frightening black wolf with bright red teeth and is later devoured along with her grandmother. Because the pages of die-cut art are dead black on one side and white with red and black highlights on the other, not only are several layers visible at once, but the overlaps create ominous shadows and depths behind the figures. Moreover, though Sourdais leaves out explicit views of the wolf being cut open and, later, flensed by the “huntsman,” she does add a provocative note to the climactic bedside scene by stripping Little Red to her red-and-black polka-dot underclothes.

Bland at first glance, appropriately eerie and disquieting on closer examination. (Novelty picture book/folk tale. 7-9)

Pub Date: Sept. 1, 2014

ISBN: 978-3-89955-723-7

Page Count: 28

Publisher: Little Gestalten

Review Posted Online: Oct. 14, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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ACOUSTIC ROOSTER AND HIS BARNYARD BAND

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...

Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.

Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.

Pub Date: Sept. 1, 2011

ISBN: 978-1-58536-688-0

Page Count: 32

Publisher: Sleeping Bear Press

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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BOOKMARKS ARE PEOPLE TOO!

From the Here's Hank series , Vol. 1

An uncomplicated opener, with some funny bits and a clear but not heavy agenda.

Hank Zipzer, poster boy for dyslexic middle graders everywhere, stars in a new prequel series highlighting second-grade trials and triumphs.

Hank’s hopes of playing Aqua Fly, a comic-book character, in the upcoming class play founder when, despite plenty of coaching and preparation, he freezes up during tryouts. He is not particularly comforted when his sympathetic teacher adds a nonspeaking role as a bookmark to the play just for him. Following the pattern laid down in his previous appearances as an older child, he gets plenty of help and support from understanding friends (including Ashley Wong, a new apartment-house neighbor). He even manages to turn lemons into lemonade with a quick bit of improv when Nick “the Tick” McKelty, the sneering classmate who took his preferred role, blanks on his lines during the performance. As the aforementioned bully not only chokes in the clutch and gets a demeaning nickname, but is fat, boastful and eats like a pig, the authors’ sensitivity is rather one-sided. Still, Hank has a winning way of bouncing back from adversity, and like the frequent black-and-white line-and-wash drawings, the typeface is designed with easy legibility in mind.

An uncomplicated opener, with some funny bits and a clear but not heavy agenda. (Fiction. 7-9)

Pub Date: Feb. 14, 2014

ISBN: 978-0-448-48239-2

Page Count: 128

Publisher: Grosset & Dunlap

Review Posted Online: Dec. 10, 2013

Kirkus Reviews Issue: Jan. 1, 2014

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