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THE TWELVE DANCING PRINCESSES

A pleasant retelling enhanced by a truly original presentation.

A traditional Grimm tale is retold, with mixed results, in chapter form for “confident readers.”

The essential plot elements remain true to earlier versions; shoes are mysteriously worn out, and the king puts to death the princes who fail to find an explanation. An enterprising soldier, with a magic cloak of invisibility given to him by an old woman, follows the princesses through the silver, gold and diamond woods, sees them dancing until dawn with the enchanted princes and tells their secret to the king. Of course, he is rewarded by the hand of the eldest princess in marriage. The princesses have lovely French floral names, but everyone else, including the hero, is nameless. There is no explanation for the princes’ enchantment, and the princesses seem to enjoy the delightful adventure of secretly dancing and feasting. When the enchantment fades away, along with the princes, no one seems to care or wonder. Hoffman employs descriptive language that maintains a sense of old-fashioned syntax while remaining accessible for modern readers. But there is little that is really fresh and interesting. It is Miss Clara’s intricate, three-dimensional creations that capture the imagination. Each illustration is a gem: a photograph of a highly detailed stage set filled with interesting and delightful objects and textures.

A pleasant retelling enhanced by a truly original presentation. (Fairy tale. 7-10)

Pub Date: Oct. 1, 2012

ISBN: 978-1-84686-838-2

Page Count: 64

Publisher: Barefoot Books

Review Posted Online: Aug. 28, 2012

Kirkus Reviews Issue: Sept. 15, 2012

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THE SINGING ROCK & OTHER BRAND-NEW FAIRY TALES

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock”...

The theme of persistence (for better or worse) links four tales of magic, trickery, and near disasters.

Lachenmeyer freely borrows familiar folkloric elements, subjecting them to mildly comical twists. In the nearly wordless “Hip Hop Wish,” a frog inadvertently rubs a magic lamp and finds itself saddled with an importunate genie eager to shower it with inappropriate goods and riches. In the title tale, an increasingly annoyed music-hating witch transforms a persistent minstrel into a still-warbling cow, horse, sheep, goat, pig, duck, and rock in succession—then is horrified to catch herself humming a tune. Athesius the sorcerer outwits Warthius, a rival trying to steal his spells via a parrot, by casting silly ones in Ig-pay Atin-lay in the third episode, and in the finale, a painter’s repeated efforts to create a flattering portrait of an ogre king nearly get him thrown into a dungeon…until he suddenly understands what an ogre’s idea of “flattering” might be. The narratives, dialogue, and sound effects leave plenty of elbow room in Blocker’s big, brightly colored panels for the expressive animal and human(ish) figures—most of the latter being light skinned except for the golden genie, the blue ogre, and several people of color in the “Sorcerer’s New Pet.”

Alert readers will find the implicit morals: know your audience, mostly, but also never underestimate the power of “rock” music. (Graphic short stories. 8-10)

Pub Date: June 18, 2019

ISBN: 978-1-59643-750-0

Page Count: 112

Publisher: First Second

Review Posted Online: April 27, 2019

Kirkus Reviews Issue: May 15, 2019

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CHARLIE BUMPERS VS. THE TEACHER OF THE YEAR

From the Charlie Bumpers series , Vol. 1

Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the...

Charlie Bumpers is doomed. The one teacher he never wanted in the whole school turns out to be his fourth-grade teacher.

Charlie recalls third grade, when he accidentally hit the scariest teacher in the whole school with his sneaker. “I know all about you, Charlie Bumpers,” she says menacingly on the first day of fourth grade. Now, in addition to all the hardships of starting school, he has gotten off on the wrong foot with her. Charlie’s dry and dramatic narrative voice clearly reveals the inner life of a 9-year-old—the glass is always half empty, especially in light of a series of well-intentioned events gone awry. It’s quite a litany: “Hitting Mrs. Burke in the head with the sneaker. The messy desk. The swinging on the door. The toilet paper. And now this—the shoe on the roof.” Harley has teamed once again with illustrator Gustavson (Lost and Found, 2012) to create a real-life world in which a likable kid must face the everyday terrors of childhood: enormous bullies, looming teachers and thick gym coaches with huge pointing fingers. Into this series opener, Harley magically weaves the simple lesson that people, even teachers, can surprise you.

Readers will be waiting to see how Charlie faces his next challenge in a series that marks a lovely change of pace from the sarcasm of Wimpy Kid. (Fiction. 7-10)

Pub Date: Sept. 1, 2013

ISBN: 978-1-56145-732-8

Page Count: 160

Publisher: Peachtree

Review Posted Online: Aug. 13, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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