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THE ORCHARD

A MEMOIR

A foreboding memoir of the author’s early marriage into an agricultural family, and her emotional navigation between rootlessness and heritage.

In a key passage, novelist Weir (as Anne Frasier: Garden of Darkness, 2007, etc.) writes that “in that moment I understood that I’d stepped into a world I could never be a part of.” How could a citified woman, whose mother struggled with revolving-door relationships and an itinerant lifestyle, forge an enduring bond with a man whose apple-farming family was governed by appearances? The author dances around questions of belonging and trust as she compresses her outsider beginnings on her husband’s land with the years preceding his death, all while alternating between memories of a 1960s childhood. Threaded with abandonments and “[v]ery bad things that I will never talk about,” the jagged pastiche reveals a woman whose impetuous decision to marry a man she barely knew led to love, children and the tough realization that generations of pesticide-spraying would destroy her newly reconciled peace. Weir ably captures the stasis of rural life and the pain of difference with acuity, though the impact is diluted when in-laws and other characters emerge as archetypal rather than fully fleshed figures. The author frankly admits to deeply subjective interpretation, however, acknowledging that “[s]ometimes there are people you must forget because of the damage they cause—blood ties or not.” Recurrent hints of environmentally dangerous activity never quite develop into a parallel theme, remaining instead as touchstones for a narrative that reaches a crescendo with cancer diagnosis. The strongest feature of the book is the determined loyalty that allows Weir to discover beauty amid strife, as well as the touching conclusion. 

 

Pub Date: Sept. 21, 2011

ISBN: 978-0-446-58469-2

Page Count: 240

Publisher: Grand Central Publishing

Review Posted Online: July 19, 2011

Kirkus Reviews Issue: Aug. 1, 2011

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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