An ambitious, artful, and winding tale of a family in search of its moorings.
A broken family makes an uncomfortable transition into former Communist Germany in this moody debut novel.
Grattan’s family drama centers on three characters: Beate Haas, who as a girl escaped from East Germany with her parents in 1968, and the two children she later had in the United States, Adela and Michael. In 1990, with the Berlin Wall collapsed, Beate inherits her family home in Kritzhagen, a small town in the former East. Adela and Michael, 12 and 13 at the time, uneasily adjust to a place that “had gone from prom queen to old maid in a single season”: Michael keeps busy looting abandoned houses while furtively exploring relationships with men while Adela lends support to the demonized occupants of a nearby refugee camp. Beate, meanwhile, despondent after splitting with her husband, wanders the streets at night, eventually stumbling into a job cutting hair at a bar. In the early going, the book feels like a gothic novel with a Brutalist severity: The characters are so downcast and the home so haunted by the past that emotional escape seems impossible. But when the narrative leaps back into the 1970s and forward to the 21st century, the novel brightens as the characters’ motivations and experiences deepen. Michael settles into a job running a bar with a Stasi theme, Beate pursues new relationships, and Adela leaves the country just as her mom did. In the meantime, cousins and lovers provide emotional support while neofascism and homophobia buffet the family emotionally and physically. Grattan is a graceful writer and keen observer of family dynamics; the domestic themes, realist style, and emphasis on German culture can’t help but recall Jonathan Franzen. But the energy Grattan expends on characterization doesn’t quite extend to the plot, which feels shapeless despite some dramatic flare-ups. The lassitude is somewhat intentional, though: When you’re as disoriented as this clan is, Grattan suggests, there truly is no place like home.
An ambitious, artful, and winding tale of a family in search of its moorings.Pub Date: March 9, 2021
ISBN: 978-0-3742-4793-5
Page Count: 368
Publisher: MCD/Farrar, Straus and Giroux
Review Posted Online: Nov. 26, 2020
Kirkus Reviews Issue: Dec. 15, 2020
BOOK REVIEW
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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