An insistently unlikable main character and redundant storytelling add up to an unsatisfying novel.
A 90-year-old man’s life story is told, and told again.
This novel opens with musings about the memoir its protagonist meant to write, then abruptly switches to his funeral. Doyle Shields of Michigan—retired embalmer, Marine veteran, widower, and recovering alcoholic—has died at age 90, in the shower, while receiving oral sex. In its first chapter, the third-person narration describes him as someone who came to the enjoyment of reading only late in life, and notes that “reading had made Doyle all the more boorish, with mindless and unsolicited opinions and an inextinguishable flow of banter and blather.” The rest of the book sets out to prove it. It tells the story of Doyle’s life in spirals rather than a straight line, turning around his several obsessions. One is his horrific experiences as a teenage Marine in the South Pacific during World War II. Another is his long, mostly happy but ultimately unfulfilled marriage to Sally, whom he fell for in fifth grade and married right after the war. He sees it as unfulfilled because of another of his obsessions: oral sex, which Sally’s devout Catholicism ruled out as nonreproductive. (That leaves it forever conflated with religion in his mind, although he considers himself a nonbeliever.) After Sally’s death at 65, Doyle meets Johanna, an almost comically idealized younger lover who isn’t interested in marriage but puts up with his prattling and bossiness and seems as enthusiastic about giving and getting head as he is. He also hires an assistant and platonic companion, an even younger woman named Hypatia, whose main job seems to be to listen to him complain. There is emotional heft to some sections of the novel, especially the gruesome passages about the war. There are a few flashes of humor. The prose is occasionally lyrical, but it’s more often florid, overstuffed with elaborate, frequently repetitive description. That’s magnified by the looping structure, which returns to the same events with an effect that’s dulling rather than dramatic. By the time Doyle succumbs, it’s old news.
An insistently unlikable main character and redundant storytelling add up to an unsatisfying novel.Pub Date: yesterday
ISBN: 9781567927054
Page Count: 272
Publisher: Godine
Review Posted Online: Aug. 2, 2025
Kirkus Reviews Issue: Sept. 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
SEEN & HEARD
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