A morose, bewitching elegy to love.
A collection of poems about love enduring through illness and impending loss.
Love is patient, but is it patient enough to withstand a miserable decade of Alzheimer’s disease? In his melancholic collection, Thomas’ love for his wife comes alive in small details and shared moments—the very same moments that she, his muse, is robbed of as her mind and body degenerate. There is a loose chronology to the poems, which are organized in subtly titled sections that belie their intensity: “Heart-Stirred” represents the rosy period of love, “Onset” begins the descent into heartsickness, and “At Sea” limns the bereft acceptance of loss. The tone continually shifts throughout, from the prismatic joy of the couple’s first meeting to the grim diagnosis as the work charts the ways in which partnership becomes caregiving as the afflicted wife is eventually exiled to “the little boat / of her hospital bed.” As Thomas grows increasingly unable to connect to his wife, he becomes more involved with the natural world around him, as seen in “My Returning”: “a flower at the highest blossoming in the moment she / turns toward death. I am, I am, I am not separate…I am sitting in an oak / tree watching.” Thomas’ specificity breathes all the shades of love into these verses, from the erotic “My Wife’s Last O” (“rocks me warm and mesmerized, / presses my skull against her mound / and pelvic bone and her hips rise just / so gently”) to the mournful “The Sirens, Before Dawn” (“the tiny hairs of your forehead, / trace their way to your temple hollow, my / breath warming the scent of your skin…in that other life we had, that gone cosmos”). The reverence for granular details—temple bones, an embrace in the dark, cleaning and feeding routines—conveys the depth of Thomas’ feelings. This work is a moving reckoning with the value and cost of love.
A morose, bewitching elegy to love.Pub Date: June 1, 2024
ISBN: 9798989948703
Page Count: 70
Publisher: Moonpath Press
Review Posted Online: Aug. 14, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Review Program: Kirkus Indie
A virtuoso performance and an ode to an undervalued medium created by two talented artists.
The veteran actor, comedian, and banjo player teams up with the acclaimed illustrator to create a unique book of cartoons that communicates their personalities.
Martin, also a prolific author, has always been intrigued by the cartoons strewn throughout the pages of the New Yorker. So when he was presented with the opportunity to work with Bliss, who has been a staff cartoonist at the magazine since 1997, he seized the moment. “The idea of a one-panel image with or without a caption mystified me,” he writes. “I felt like, yeah, sometimes I’m funny, but there are these other weird freaks who are actually funny.” Once the duo agreed to work together, they established their creative process, which consisted of working forward and backward: “Forwards was me conceiving of several cartoon images and captions, and Harry would select his favorites; backwards was Harry sending me sketched or fully drawn cartoons for dialogue or banners.” Sometimes, he writes, “the perfect joke occurs two seconds before deadline.” There are several cartoons depicting this method, including a humorous multipanel piece highlighting their first meeting called “They Meet,” in which Martin thinks to himself, “He’ll never be able to translate my delicate and finely honed droll notions.” In the next panel, Bliss thinks, “I’m sure he won’t understand that the comic art form is way more subtle than his blunt-force humor.” The team collaborated for a year and created 150 cartoons featuring an array of topics, “from dogs and cats to outer space and art museums.” A witty creation of a bovine family sitting down to a gourmet meal and one of Dumbo getting his comeuppance highlight the duo’s comedic talent. What also makes this project successful is the team’s keen understanding of human behavior as viewed through their unconventional comedic minds.
A virtuoso performance and an ode to an undervalued medium created by two talented artists.Pub Date: Nov. 17, 2020
ISBN: 978-1-250-26289-9
Page Count: 272
Publisher: Celadon Books
Review Posted Online: Aug. 30, 2020
Kirkus Reviews Issue: Sept. 15, 2020
PERSPECTIVES
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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