A morose, bewitching elegy to love.
A collection of poems about love enduring through illness and impending loss.
Love is patient, but is it patient enough to withstand a miserable decade of Alzheimer’s disease? In his melancholic collection, Thomas’ love for his wife comes alive in small details and shared moments—the very same moments that she, his muse, is robbed of as her mind and body degenerate. There is a loose chronology to the poems, which are organized in subtly titled sections that belie their intensity: “Heart-Stirred” represents the rosy period of love, “Onset” begins the descent into heartsickness, and “At Sea” limns the bereft acceptance of loss. The tone continually shifts throughout, from the prismatic joy of the couple’s first meeting to the grim diagnosis as the work charts the ways in which partnership becomes caregiving as the afflicted wife is eventually exiled to “the little boat / of her hospital bed.” As Thomas grows increasingly unable to connect to his wife, he becomes more involved with the natural world around him, as seen in “My Returning”: “a flower at the highest blossoming in the moment she / turns toward death. I am, I am, I am not separate…I am sitting in an oak / tree watching.” Thomas’ specificity breathes all the shades of love into these verses, from the erotic “My Wife’s Last O” (“rocks me warm and mesmerized, / presses my skull against her mound / and pelvic bone and her hips rise just / so gently”) to the mournful “The Sirens, Before Dawn” (“the tiny hairs of your forehead, / trace their way to your temple hollow, my / breath warming the scent of your skin…in that other life we had, that gone cosmos”). The reverence for granular details—temple bones, an embrace in the dark, cleaning and feeding routines—conveys the depth of Thomas’ feelings. This work is a moving reckoning with the value and cost of love.
A morose, bewitching elegy to love.Pub Date: June 1, 2024
ISBN: 9798989948703
Page Count: 70
Publisher: Moonpath Press
Review Posted Online: Aug. 14, 2024
Kirkus Reviews Issue: Oct. 1, 2024
Review Program: Kirkus Indie
A frank and funny but uneven essay collection about neurodiversity.
An experimental, illustrated essay collection that questions neurotypical definitions of what is normal.
From a young age, writer and comedian Myers has been different. In addition to coping with obsessive compulsive disorder and panic attacks, she struggled to read basic social cues. During a round of seven minutes in heaven—a game in which two players spend seven minutes in a closet and are expected to kiss—Myers misread the romantic advances of her best friend and longtime crush, Marley. In Paris, she accidentally invited a sex worker to join her friends for “board games and beer,” thinking he was simply a random stranger who happened to be hitting on her. In community college, a stranger’s request for a pen spiraled her into a panic attack but resulted in a tentative friendship. When the author moved to Australia, she began taking notes on her colleagues in an effort to know them better. As the author says to her co-worker, Tabitha, “there are unspoken social contracts within a workplace that—by some miracle—everyone else already understands, and I don’t….When things Go Without Saying, they Never Get Said, and sometimes people need you to Say Those Things So They Understand What The Hell Is Going On.” At its best, Myers’ prose is vulnerable and humorous, capturing characterization in small but consequential life moments, and her illustrations beautifully complement the text. Unfortunately, the author’s tendency toward unnecessary capitalization and experimental forms is often unsuccessful, breaking the book’s otherwise steady rhythm.
A frank and funny but uneven essay collection about neurodiversity.Pub Date: Oct. 28, 2025
ISBN: 9780063381308
Page Count: 272
Publisher: Morrow/HarperCollins
Review Posted Online: Sept. 12, 2025
Kirkus Reviews Issue: Oct. 15, 2025
A pleasure for fans of old-school historical narratives.
Avuncular observations on matters historical from the late popularizer of the past.
McCullough made a fine career of storytelling his way through past events and the great men (and occasional woman) of long-ago American history. In that regard, to say nothing of his eschewing modern technology in favor of the typewriter (“I love the way the bell rings every time I swing the carriage lever”), he might be thought of as belonging to a past age himself. In this set of occasional pieces, including various speeches and genial essays on what to read and how to write, he strikes a strong tone as an old-fashioned moralist: “Indifference to history isn’t just ignorant, it’s rude,” he thunders. “It’s a form of ingratitude.” There are some charming reminiscences in here. One concerns cajoling his way into a meeting with Arthur Schlesinger in order to pitch a speech to presidential candidate John F. Kennedy: Where Richard Nixon “has no character and no convictions,” he opined, Kennedy “is appealing to our best instincts.” McCullough allows that it wasn’t the strongest of ideas, but Schlesinger told him to write up a speech anyway, and when it got to Kennedy, “he gave a speech in which there was one paragraph that had once sentence written by me.” Some of McCullough’s appreciations here are of writers who are not much read these days, such as Herman Wouk and Paul Horgan; a long piece concerns a president who’s been largely lost in the shuffle too, Harry Truman, whose decision to drop the atomic bomb on Japan McCullough defends. At his best here, McCullough uses history as a way to orient thinking about the present, and with luck to good ends: “I am a short-range pessimist and a long-range optimist. I sincerely believe that we may be on the way to a very different and far better time.”
A pleasure for fans of old-school historical narratives.Pub Date: Sept. 16, 2025
ISBN: 9781668098998
Page Count: 208
Publisher: Simon & Schuster
Review Posted Online: June 26, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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