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The Architecture of Freedom

HOW TO FREE YOUR SOUL

An extensive, encyclopedic investigation that walks a fine line between New Age spirituality and metaphysics.

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Is it possible some of our central beliefs about time, space, and ourselves are wrong and our lives might change drastically for the better if we revise them? Cross investigates.

This provocative and ambitious book seeks to synthesize ideas in philosophy, spirituality, ethics, and new and old models of science to lay the groundwork for a new understanding of the place of humankind in the universe as well as the worth and purpose of human life. It’s as gargantuan a task as it sounds. The book, in keeping with this colossal goal, is sweeping in scope, moving from a discussion of recent discoveries in theoretical physics to a detailed account of how these discoveries prompt us to reconsider, and ultimately reframe, some of our most common convictions and beliefs. The project, then, is a revisionary one, encouraging readers to call into question the belief, for instance, that our view of the world is objective or exhaustive: “The reader must keep in mind that the multi-dimensional nature of the universe will always mean that it cannot be fully or accurately described using our three-dimensional concepts and language.” Cross gives intriguing descriptions of theories of the multiverse that have captured the minds of philosophers, physicists, and religious leaders for much of recent history. The goal of the project, however, is to show that understanding the connected nature of reality can help us transcend the egotistical concerns that have come to dominate our lives. In one particularly provocative chapter, the author argues that even a figure like Hitler should be understood as a necessary stage in the unfolding of a beautiful, perfect universe. In friendly, well-paced prose, the account flows and is broadly fascinating. In some cases, he puts forward claims that seem plainly at odds with common sense, and the justifications for discarding such common sense seem, at best, weakly speculative. That said, the book succeeds as an exploratory exercise in attempting to understand the practical consequences of taking up alternative stances toward the universe and our place in it.

An extensive, encyclopedic investigation that walks a fine line between New Age spirituality and metaphysics.

Pub Date: Dec. 18, 2014

ISBN: 978-0988834446

Page Count: 376

Publisher: One River Press

Review Posted Online: May 13, 2015

Kirkus Reviews Issue: July 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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