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ONLY WAY OUT

Internecine noir, done just right.

A scuffling Seattle lawyer’s scheme to abscond with his firm’s safe deposit boxes has deadly consequences.

It’s 15 years ago. Half a million in debt, Robert Green uses his access as manager of the safe deposit boxes to remove them and pile them into his van, with plans of extorting clients with the unaccounted-for cash and sensitive documents in the boxes. His plan is to escape to South America with his sister, Penny, a SoCal desert-dweller whose genius IQ made her a child celebrity before she spent 14 years in prison for robbery and assaulting a cop. But his van spins off a mountain road, killing and decapitating him. His body, along with the ill-gotten loot—and his head—are discovered by Jack Biddle, the morally compromised, drug-using top cop of Granite Shores, a shabby Oregon beach town. While taking credit for cracking the safe-deposit case, he takes possession of the loot (he owes nefarious sorts a ton of money), claiming that Green disappeared with it. He thus leaves the town thinking for years that the daring thief, a hometown boy, is still alive. Flash forward to the present, when the now-legendary, media-friendly case has turned Granite Shores into a slickly gentrified destination spot—one where Penny’s nervy cousin Addie, a podcast queen, spins conspiracy theories about the local cops. “Every new dumb thing I say creates a financial ecosystem,” she says. The novel is a nice geographical shift for Goldberg—known for capturing the seedy essence of Las Vegas and the Salton Sea in Gangsterland (2014) and The Low Desert (2021), respectively—who does an uncanny job of keeping multiple plot elements in the air, shifting among unholy alliances of mobsters and do-gooders turned bad with cutting humor. Warped family histories, the trivializing effects of social media, and an occasional jab of emotion are all in the mix. “To not have hope was acutely freeing,” thinks Penny, whose words linger more than they should.

Internecine noir, done just right.

Pub Date: Nov. 4, 2025

ISBN: 9781662534089

Page Count: 362

Publisher: Thomas & Mercer

Review Posted Online: Aug. 29, 2025

Kirkus Reviews Issue: Oct. 1, 2025

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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GONE BEFORE GOODBYE

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

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A widowed and disgraced plastic surgeon is drawn into a Russian oligarch’s evil schemes.

Witherspoon’s adult fiction debut, co-authored with thrillermeister Coben, opens as heart surgery performed by Dr. Marc Adams in a North African refugee camp is interrupted by the explosive invasion of armed militants. It's the last we will see of Marc in this dimension. The next chapter jumps ahead one year to a ceremony at Johns Hopkins University in Baltimore where his widow, Maggie McCabe, is supposed to be presenting an award in honor of her mother. Miserable and anxious about appearing in public after having lost her medical license, she consults with her late husband on her phone—not via supernatural means, but using a "griefbot," an amazingly lifelike and functional AI app created by her genius sister, Sharon. Once the griefbot coaxes her to brave the sneering masses, she learns she’s been replaced on the podium anyway. But she runs into a former professor, a celebrity plastic surgeon, who requests a meeting with her at his office in New York and won’t take no for an answer. Next thing she knows, there’s $10 million in her bank account and she’s on a private plane heading to a palace outside Moscow where she’s been engaged to perform off-the-record surgery on billionaire Oleg Ragoravich (new face) and his girlfriend, Nadia (new boobs). And…we’re off. A whirl of surgeries, chases, and escapes ensues as Maggie gradually comes to understand who these people are and what they have in mind for her, and how it connects to Marc and their missing friend and business partner, Trace Packer. She is aided by her delightful father-in-law, Porkchop, owner of a biker bar in New York City and a very handy guy to have on your team if you've run afoul of an international criminal organization. From the palace in Rublevka the action moves to Dubai and then Bordeaux, climaxing in a high-stakes illegal heart transplant. But wait—is Marc really dead? What happened to Trace? Who is Nadia really? Though these smoldering questions don’t quite catch fire, it's a good first try for Witherspoon.

Maybe not the most thrilling thriller, but the role of AI in coping with grief gives this novel pathos and interest.

Pub Date: Oct. 14, 2025

ISBN: 9781538774700

Page Count: 352

Publisher: Grand Central Publishing

Review Posted Online: Oct. 15, 2025

Kirkus Reviews Issue: Dec. 1, 2025

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