Don’t expect damsels in distress in this novel. Do expect a thrill ride that won’t disappoint.
A fast-moving thriller starring a female mercenary in a great setting, along with violence and a dollop of sex.
Sonja Kurtz attacks a convoy said to be carrying the president of Zimbabwe. It’s nothing personal. She kills for a living, and it’s a prelude to the main story: a plot to destroy a dam blocking water from the Okavango Delta in Botswana. The surname Kurtz looks like Park’s homage to Joseph Conrad’s Heart of Darkness, although any similarity between the two characters ends there. Sonja doesn’t sit around moaning “The horror! The horror!” but is a steel-tough, compelling protagonist from beginning to her possible end. In one scene, “[s]he held the dead man’s cigarette between her blood-stained fingers and closed her eyes as she inhaled deeply.” Earlier, she met up with a wildlife documentary crew and a potential love interest in TV personality Coyote Sam, who is more plausible than his name suggests. Add an ex-lover, an estranged father, a daughter of dubious paternity, some AK-47s and RPGs, and a dam that will either improve people’s lives or ruin the environment, and you have the elements of an engrossing story. During a lull in the action, Sonja ponders why she didn’t become “a doctor or a vet or a nurse or even a bloody secretary.” Instead, “[h]er drive, her ambition, her past and her pride had taken her to war and taught her to kill.” And she might well ponder why villains never learn to stop explaining themselves at length before pulling the damn trigger. In Africa, she sees a place of great sorrow where people have given up crying. Yet it’s also a place of great beauty, as evidenced by the author’s rich and authentic detail. Clearly, Park knows and loves Africa.
Don’t expect damsels in distress in this novel. Do expect a thrill ride that won’t disappoint.Pub Date: Oct. 7, 2014
ISBN: 9781250055583
Page Count: 528
Publisher: St. Martin's
Review Posted Online: Aug. 13, 2014
Kirkus Reviews Issue: Sept. 1, 2014
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
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