Mostly engaging and will hold greatest appeal to readers who are already fans of Touré, Prince or both.
Interpretive exegesis of the songs and style of the artist formerly and currently known as Prince.
Touré (Who’s Afraid of Post-Blackness?: What It Means to Be Black Now, 2011, etc.) argues that though Prince was chronologically a late boomer, he became an icon for Generation X, people born between 1965 and 1982, a time of lower birthrates and social anomie. Prince’s own difficult, lonely childhood gave him the ambition and remove to forge a rock-funk hybrid that was both spiritual and highly sexual, and this gave him an iconic appeal to the disillusioned demographic that came of age in the 1980s, during Prince’s run of hit albums beginning with "1999." In support of this, Touré discusses the content of many of Prince’s songs, focusing more on the responses to Prince’s work than on what Prince actually did to create it. Touré also discusses Prince’s relationship with his backing musicians, significant to his thesis since Prince was one of the first rock stars to recruit a fully diverse band. Although the author talked to other scholars, Prince’s collaborators and former lovers, he’s not pursuing a concrete look at the nitty-gritty of Prince’s innovations in the studio or a narrative of his career arc’s sharp rise (and moderate decline). Instead, he offers a broad overview of Prince’s life and career, tied to his own ideas about demography and race. Touré spends lots of pages of this slim volume returning to his meditations on the qualities of Generation X relative to Prince—e.g., “It’s appropriate to critique the media vision of gen X as unfairly whitewashed, but to say that Blacks are not part of gen X is short-sighted”—and this aspect of his approach comes to seem repetitive and dated.
Mostly engaging and will hold greatest appeal to readers who are already fans of Touré, Prince or both.Pub Date: March 19, 2013
ISBN: 978-1-4767-0549-1
Page Count: 160
Publisher: Atria
Review Posted Online: Feb. 7, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
BOOK TO SCREEN
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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