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THE INSOMNIACS

What first seems an eerie, baby-goth vibe is held steady by the stable, close-knit family and lack of crisis in this...

A quietly magnificent paean to the wonder of nighttime and the solidity of a family unit.

Unlike picture books that use evening settings to address fears or coax kids into bed, this creative debut makes night-living a valid choice. The city-dwelling Insomniacs aren’t originally “a night family. / But when Mrs. Insomniac found a new job, Mother, Father, and little Mika traveled twelve time zones to their new home,” northern and remote. Hot baths and mugs of milk don’t adjust their internal clocks. Perky all night and dozing all day, they seek counsel from their new neighbors: lynx, bears and bats. “And then the Insomniacs noticed: the darkness was full of life.” Why force it? They decide to “give night a try.” Mika keeps pets—a bandicoot and a fennec fox, among others—and attends night school online; Mother continues her (undefined) science career by studying night stars; Father develops photos in his darkroom. The family catches the bakery opening at dawn and then “bundle[s] into bed.” Prussian blue dominates the offbeat pencil-and-charcoal illustrations, with whites and yellows glowing as moon, snow and lamplight. Figures are thin-armed and deliberate. Composition varies entrancingly, including full spreads, sequential boxes and dotted lines pointing to enlarged details.

What first seems an eerie, baby-goth vibe is held steady by the stable, close-knit family and lack of crisis in this atmospheric, calmly splendid piece. (Picture book. 4-7)

Pub Date: Aug. 16, 2012

ISBN: 978-0-399-25665-3

Page Count: 32

Publisher: Putnam

Review Posted Online: June 26, 2012

Kirkus Reviews Issue: July 15, 2012

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THERE'S A ROCK CONCERT IN MY BEDROOM

Nice enough but not worth repeat reads.

Emma deals with jitters before playing the guitar in the school talent show.

Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)

Nice enough but not worth repeat reads. (Picture book. 4-6)

Pub Date: March 29, 2022

ISBN: 978-0-593-35207-6

Page Count: 40

Publisher: Razorbill/Penguin

Review Posted Online: Feb. 8, 2022

Kirkus Reviews Issue: March 1, 2022

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GAGA MISTAKE DAY

Who wouldn’t love spending time with a memorable grandmother like this?

Grandma’s so-called errors are enough to drive anyone gaga—but in the best possible way.

On Saturdays, when Gaga visits her 4-year-old grandchild—who narrates the story—she “makes lots of mistakes.” Sometimes she wears her fuzzy slippers on her ears. Or she and her grandchild switch their eyeglasses so neither of them can see a thing. Or she substitutes a chocolate bar for chewing gum, rationalizing, “Isn’t that gum? You can chew it.” Gaga sees nothing wrong in reading an upside-down book to the child. On treks to the park, the pair walk backward. Occasionally, the protagonist’s parents disapprove of Gaga’s ideas, such as feeding their child marshmallows before dinner or filling the tub to overflowing with soap bubbles. But grandchild and Gaga agree that “mistakes are fun, aren’t they?” This is a gently comical tribute to warm, deeply loving grandmother-grandchild relationships. Gaga clearly understands that adults can easily form close bonds with kids if they use humor, behave in a childlike manner themselves, and appreciate a youngster’s sense of wonder and absurdity. The message here is that more grown-ups should make the “mistake” of loosening up a bit. The dynamic pencil, watercolor, and gouache illustrations are as free-wheeling and entertaining as gray-haired Gaga, who is pale-skinned; the protagonists and the parents are brown-skinned.

Who wouldn’t love spending time with a memorable grandmother like this? (Picture book. 4-7)

Pub Date: April 2, 2024

ISBN: 9780593529461

Page Count: 32

Publisher: Rocky Pond Books/Penguin

Review Posted Online: Jan. 20, 2024

Kirkus Reviews Issue: Feb. 15, 2024

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