No capes, no glitter: a vampire novel for readers who value sturdy mythology and a sophisticated understanding of history,...
As Yugoslavia disintegrates, an American bent on investigating Balkan vampire folklore becomes caught up in evils both supernatural and political.
In Yugoslavia on a scholarship to study Balkan ethnography, graduate student Steven Roberts finds his research being directed toward vampires, which have a rich folkloric history in the region. Vampires, he learns, aren’t what Bram Stoker, Anne Rice and Hollywood said they were. For example, the folklore suggests that only newly made vampires are nocturnal, meaning that older ones should be harder to spot—though one of Steven’s professors notes that in 1992 Yugoslavia, it might be hard to tell the vampires from the thugs: “Haven’t you seen all the black jeeps and limousines with darkened windows? If I were a vampire, that would be the ideal way to travel around during daytime.” As Steven delves further into crumbling archives and into an underground labyrinth hiding vampiric secrets, he and his friends get caught up in a perilous confluence of events. Steven must confront his past, his loss of faith and how he might regain it, and his attraction to a mysterious, dangerous woman. He learns the truth about his professor Slatina, who in turn faces a crucial decision that will affect not just vampires but all of the Balkans. In the glut of vampire-themed novels now on the market, Lyon’s debut stands out for its skillful integration of authentic, fascinating myth with the political events of the early 1990s. Linking the horror of the supernatural with the horror of human violence is an inspired idea, and Lyon executes it perfectly. He evidently knows the area, its history and its languages, giving the reader vivid details not just of long-ago history but of the 1990s Balkans: socialist-chic shabbiness, ever-present cigarette smoke, the way every Serb that Steven meets has a cousin in Chicago, and the corrupt Milosevic government. “Slobo keeps prices low so people won’t complain,” a character nicknamed Bear says. “It’s okay if we don’t have gas, just so the gas we don’t have is cheap.” Steven can be irritatingly slow on the uptake, and the ending is less satisfying than it could be, since Lyon is apparently leaving room for sequels. Still, it’s a highly promising start with an engaging cast of characters.
No capes, no glitter: a vampire novel for readers who value sturdy mythology and a sophisticated understanding of history, along with warmblooded, human connections.Pub Date: July 22, 2012
ISBN: N/A
Page Count: 333
Publisher: Amazon Digital Services
Review Posted Online: Sept. 10, 2012
Kirkus Reviews Issue: Nov. 15, 2012
Review Program: Kirkus Indie
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.
A fifth-grade New Orleans girl discovers a mysterious chrysalis containing an unexpected creature in this middle-grade novel.
Jacquelyn Marie Johnson, called Jackie, is a 10-year-old African-American girl, the second oldest and the only girl of six siblings. She’s responsible, smart, and enjoys being in charge; she likes “paper dolls and long division and imagining things she had never seen.” Normally, Jackie has no trouble obeying her strict but loving parents. But when her potted snapdragon acquires a peculiar egg or maybe a chrysalis (she dubs it a chrysalegg), Jackie’s strong desire to protect it runs up against her mother’s rule against plants in the house. Jackie doesn’t exactly mean to lie, but she tells her mother she needs to keep the snapdragon in her room for a science project and gets permission. Jackie draws the chrysalegg daily, waiting for something to happen as it gets larger. When the amazing creature inside breaks free, Jackie is more determined than ever to protect it, but this leads her further into secrets and lies. The results when her parents find out are painful, and resolving the problem will take courage, honesty, and trust. Dumas (Jaden Toussaint, the Greatest: Episode 5, 2017, etc.) presents a very likable character in Jackie. At 10, she’s young enough to enjoy playing with paper dolls but has a maturity that even older kids can lack. She’s resourceful, as when she wants to measure a red spot on the chrysalegg; lacking calipers, she fashions one from her hairpin. Jackie’s inward struggle about what to obey—her dearest wishes or the parents she loves—is one many readers will understand. The book complicates this question by making Jackie’s parents, especially her mother, strict (as one might expect to keep order in a large family) but undeniably loving and protective as well—it’s not just a question of outwitting clueless adults. Jackie’s feelings about the creature (tender and responsible but also more than a little obsessive) are similarly shaded rather than black-and-white. The ending suggests that an intriguing sequel is to come.
In more ways than one, a tale about young creatures testing their wings; a moving, entertaining winner.Pub Date: Nov. 11, 2017
ISBN: 978-1-943169-32-0
Page Count: 212
Publisher: Plum Street Press
Review Posted Online: Feb. 22, 2018
Kirkus Reviews Issue: April 15, 2018
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A YA novel that treats its subject and its readers with respect while delivering an engaging story.
In the ninth book in the Bluford young-adult series, a young Latino man walks away from violence—but at great personal cost.
In a large Southern California city, 16-year-old Martin Luna hangs out on the fringes of gang life. He’s disaffected, fatherless and increasingly drawn into the orbit of the older, rougher Frankie. When a stray bullet kills Martin’s adored 8-year-old brother, Huero, Martin seems to be heading into a life of crime. But Martin’s mother, determined not to lose another son, moves him to another neighborhood—the fictional town of Bluford, where he attends the racially diverse Bluford High. At his new school, the still-grieving Martin quickly makes enemies and gets into trouble. But he also makes friends with a kind English teacher and catches the eye of Vicky, a smart, pretty and outgoing Bluford student. Martin’s first-person narration supplies much of the book’s power. His dialogue is plain, but realistic and believable, and the authors wisely avoid the temptation to lard his speech with dated and potentially embarrassing slang. The author draws a vivid and affecting picture of Martin’s pain and confusion, bringing a tight-lipped teenager to life. In fact, Martin’s character is so well drawn that when he realizes the truth about his friend Frankie, readers won’t feel as if they are watching an after-school special, but as though they are observing the natural progression of Martin’s personal growth. This short novel appears to be aimed at urban teens who don’t often see their neighborhoods portrayed in young-adult fiction, but its sophisticated characters and affecting story will likely have much wider appeal.
A YA novel that treats its subject and its readers with respect while delivering an engaging story.Pub Date: Jan. 1, 2004
ISBN: 978-1591940173
Page Count: 152
Publisher: Townsend Press
Review Posted Online: Jan. 26, 2013
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
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