An enjoyable, well-written and twisty thriller with gruesome aspects balanced by warmth, believable relationships and a...
A Savannah doctor’s life turns upside down when people suspect him of serial murder in this thriller tinged with the supernatural.
Surgeon Malcolm King is a good man living a good life in this fast-paced and suspenseful first novel by Murphy, a gastroenterologist and columnist for the Savannah Morning News. Malcolm has a loving family, a faithful golden retriever and a beautiful house. So when people link him to a series of gruesome murders, he’s desperate to discover the truth—at times even wondering if his sanity is slipping and he himself might be the killer. To avoid capture, Malcolm goes on the run, aided by a mysterious Thin Man who may or may not be trustworthy. As horrific murders of people close to him continue, Malcolm fights to protect his family and stop the killer. His good-guy hero faces an impossible situation full of spooky, atmospheric details reminiscent of Jimmy Stewart’s plight in a Hitchcock movie, and the thriller aspect works especially well since the book grounds it in ordinary happiness. Malcolm’s wife and daughter, even his dog, are fully realized, not pawns in a horror show; the Savannah setting is lushly detailed; and it’s easy to see what Malcolm has to lose. His work also comes across as both realistic—one day ranges from “ruptured appendices and walled-off diverticular abscesses to a Billroth II gastric resection”—and horribly similar to the killer’s grisly dissections. Flashes of humor help to ease the tension, and the camaraderie between Malcolm and other characters is a reminder that human connections can stand against evil. The sturdy plot structure includes red herrings, family secrets and a new direction just when it looks like it’s all over. Two clichés, each a bit of a groaner, mar the book somewhat: a noble, spiritual Native American and a medical condition often unfairly linked to villainy. The supernatural elements add little to the plot and can seem a bit pat, but they don’t get in the way of a satisfying finish.
An enjoyable, well-written and twisty thriller with gruesome aspects balanced by warmth, believable relationships and a likable hero.Pub Date: July 20, 2012
ISBN: 978-1938296031
Page Count: 348
Publisher: Langdon Street Press
Review Posted Online: Oct. 1, 2012
Kirkus Reviews Issue: Nov. 1, 2012
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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