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BUZZ, BUZZ, BUZZ

Set in the Venezuelan jungle, this translation of El Mosquito Zumbador by Chilean writer and publisher Uribe presents a natural solution to a natural problem: how to achieve a good night’s pleasant sleep on a moonlit, quiet night when under attack by a buzzing mosquito. The mosquito’s path is highlighted in a neon-green line cutting through thickets of color and shape in Colombian illustrator Calderón’s woodcut-like pictures and in black-and-white typography extending the buzzes of the text elsewhere on the page. Distressed, Juliana and Andrés jump from bed to escape the bite, then jump back, but the wily bug finds a hole. Unable to smash the hungry insect with a shoe, the children flee from house to jungle, where they plead for help from heavily sleeping monkey, snoozing coral snake, snoring alligator—all familiar toys in their bedroom. The youngsters get no relief until they appeal to yellow owl, mercifully awake, who flies them home, the mosquito pursuing. Yellow owl delivers them to their open window . . . where nice frog sitting on the sill solves the problem in time-honored food-chain fashion. An active story for bedtime when the kids are not quite ready to settle down and great for story times with a theme of life in other climes. Mosquito misery as multicultural means. (Picture book. 3-5)

Pub Date: June 1, 2001

ISBN: 0-88899-430-3

Page Count: 32

Publisher: Groundwood

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2001

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IF WE WERE DOGS

Perfect for every underdog who wants to have a say.

A dog-loving child encourages a less-than-enthusiastic younger one to imagine they’re both canines.

From the first declaration—“I’d be a big dog! And you’d be a little one!”—readers know who’s calling the shots. Initially, the protagonists cavort off the page and through the neighborhood together, performing doggy capers such as tail wagging, stick carrying, and dirt digging. But by the time they encounter a multitude of like-minded creatures at the dog park, the disgruntled small pup is exhibiting out-and-out rebellion: “Being a dog is YOUR idea! Sometimes I HAVE IDEAS TOO!” The narrative wraps up with the younger child pretending to be a different animal entirely—cleverly foreshadowed through subtle details in the illustrations. Even the endpapers—lively silhouettes of dogs in the beginning and many different animals in closing—extend the theme to suggest the imaginative possibilities of pretend play. Cheerful, lightly hued colors fit the whimsical mood, while expressive body language allows the art to tell the story with a minimum of words. Ending on a surprising note, with a sweet compromise between the two main characters, the tale gives both kids the freedom to embrace their own preferences and styles—while still enjoying their game.

Perfect for every underdog who wants to have a say. (Picture book. 3-5)

Pub Date: Sept. 16, 2025

ISBN: 9780316581721

Page Count: 40

Publisher: Little, Brown

Review Posted Online: May 16, 2025

Kirkus Reviews Issue: June 15, 2025

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GOOD NIGHT OWL

A funny tale about stress and an ever upping ante, with a comforting end.

Something is preventing Owl from falling asleep.

Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?

A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)

Pub Date: April 19, 2016

ISBN: 978-1-4847-1275-7

Page Count: 48

Publisher: Disney-Hyperion

Review Posted Online: Jan. 19, 2016

Kirkus Reviews Issue: Feb. 1, 2016

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