Lustbader’s refusal to allow Jody any happiness whatsoever will prove a disappointment to many readers.
Lustbader’s angst-ridden novel revolves around a young man with a burning need to resolve his child-abuse–riddled past.
Jody Kowalczyk doesn’t look Polish like the rest of his family for a good reason: He was born Christopher Cannavarro, the illegitimate son of a 15-year-old Italian girl whose father refused to let her terminate the pregnancy. Unloved by everyone except his Aunt Marie, Chris spends his earliest years hearing from his volatile grandfather how much he is hated and unwanted. His mom, Marian, talks to him as if he is dirt, and, after Marie collapses and dies while teaching him to play the piano, Marian is forced to take custody of young Chris. Enter Scott, a former Vietnam medic and drug addict. After badly injuring the child, Scott waxes remorseful, but the incident sets off a pattern of physical abuse that eventually, after Marian abandons the two of them, results in sexual molestation. Society, his teachers and everyone else in the world appear to be oblivious to the child’s searing ordeal, which is told in a series of memoirs written by the older Jody, who tells his story to an elderly Italian woman, Tess. Through Tess, Jody reconnects with Ella, a woman he met as a teenager and has never forgotten, and her young son, Evan. In a distracting and extraneous side story, Jody’s adopted brother, Brendan, becomes engaged to a stylish but self-destructive young woman named Fern, who comes between the two men and upsets the fragile balance that has kept them together. Lustbader’s graphic tale of abuse won’t please readers who prefer the seamier details of their stories on the subtle side, but she nails the mental and physical horrors of living without love, approval or basic comforts. And, although Jody’s childhood is over-the-top terrible, few will fail to be moved by the child’s plight.
Lustbader’s refusal to allow Jody any happiness whatsoever will prove a disappointment to many readers.Pub Date: Aug. 13, 2013
ISBN: 978-0-7653-3490-9
Page Count: 367
Publisher: Forge
Review Posted Online: June 21, 2013
Kirkus Reviews Issue: July 1, 2013
BOOK REVIEW
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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