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THE DEATH OF CANCER

AFTER FIFTY YEARS ON THE FRONT LINES OF MEDICINE, A PIONEERING ONCOLOGIST REVEALS WHY THE WAR ON CANCER IS WINNABLE—AND HOW WE CAN GET THERE

One of the most absorbing and empowering science histories to hit the shelves in recent years.

One of the world's most renowned and forward-thinking oncologists recounts 35 years of cancer research and tells us why we should be optimistic about the future.

In the last 20 years, cancer survival rates have skyrocketed thanks to the innovative researchers and physicians pioneering effective therapies. Leading this “war on cancer” is DeVita (Medicine and Epidemiology and Public Health/Yale School of Medicine), whose career credentials include stints as director of the National Cancer Institute, president of the American Cancer Society, and director of the Yale Cancer Center. Even more impressive: he developed a cure for Hodgkin’s lymphoma, the first true cure for any form of cancer and the first of many successes to come in the field of combination chemotherapy. In each chapter, the author deftly navigates the many nuances of cancer research and treatment using accessible language to describe exciting technological advances while also providing a gritty look at the uneasy relationship between government and science. On one hand, writes DeVita, programs like the NCI exist because of federal funding, and many of America’s cancer centers are among the best in the world. However, the author also delivers a no-holds-barred analysis of bureaucracy’s weakness: it remains challenging to get new treatments approved, even in an era in which many cancer drugs show incredible promise. DeVita reports on this and myriad other issues facing cancer doctors and the patients they care for, imbuing his superb science writing with an emotional back story—including his own cancer diagnosis—that enriches the joys and struggles he has faced in his long career. This book is also far more than a history: it’s a manifesto in which the author states plainly what needs to be done to eradicate the disease. In the meantime, he arms readers with behind-the-scenes details about where to seek treatment, insisting that we’ve arrived at “the beginning of the end” of the disease.

One of the most absorbing and empowering science histories to hit the shelves in recent years.

Pub Date: Nov. 3, 2015

ISBN: 978-0-374-13560-7

Page Count: 320

Publisher: Sarah Crichton/Farrar, Straus and Giroux

Review Posted Online: Aug. 8, 2015

Kirkus Reviews Issue: Sept. 1, 2015

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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