A fascinating, larger-than-life personality is deservedly brought to readers’ attention in this fine offering.
A cycling novice takes up an extraordinary challenge.
Two men offered $10,000 to the first woman to circumnavigate the globe by bike. Annie Londonderry—full name Annie Cohen Kopchovsky Londonderry (1870-1947)—a 24-year-old Jewish homemaker, had never ridden a bike, but she needed that money. The deal had a few stipulations: She had to earn $5,000 while traveling and return in 15 months or less. As a child, Annie had faced challenges learning English as a recent Latvian immigrant. Now she mastered cycling—in two lessons. On June 25, 1894, Annie left Boston with only an extra pair of undergarments. Roads were rough; she ate sparingly and occasionally slept on the ground. Eventually, Annie doffed her skirts, instead opting for bloomers. She traded her bike for a lighter, faster, brakeless men’s racer, changed directions, and boarded a Europe-bound ship, where she gave paid lectures. She made her way through Asia, sailed the Pacific, and crossed the United States. Journalists reported on the exploits of Annie, who continued earning money by lecturing. On September 12, 1895, she completed her journey, 14 days early. This fast-paced, well-written tale tells the story of a remarkable, determined woman. The quirky, lively illustrations, rendered in oil paint with varnish, sometimes presented as vignettes, nicely capture period settings and details. The mantra “pedal, balance, steer” “careens” throughout the artwork, the words and letters playfully stretching out; quotes from Annie are interspersed throughout.
A fascinating, larger-than-life personality is deservedly brought to readers’ attention in this fine offering. (author’s note; brakes, bloomers, and other bicycle bits; timeline; bibliography) (Informational picture book. 6-10)Pub Date: Feb. 20, 2024
ISBN: 9781635926828
Page Count: 40
Publisher: Calkins Creek/Astra Books for Young Readers
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Dec. 15, 2023
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Blandly inspirational fare made to evoke equally shrink-wrapped responses.
An NBA star pays tribute to the influence of his grandfather.
In the same vein as his Long Shot (2009), illustrated by Frank Morrison, this latest from Paul prioritizes values and character: “My granddad Papa Chilly had dreams that came true,” he writes, “so maybe if I listen and watch him, / mine will too.” So it is that the wide-eyed Black child in the simply drawn illustrations rises early to get to the playground hoops before anyone else, watches his elder working hard and respecting others, hears him cheering along with the rest of the family from the stands during games, and recalls in a prose afterword that his grandfather wasn’t one to lecture but taught by example. Paul mentions in both the text and the backmatter that Papa Chilly was the first African American to own a service station in North Carolina (his presumed dream) but not that he was killed in a robbery, which has the effect of keeping the overall tone positive and the instructional content one-dimensional. Figures in the pictures are mostly dark-skinned. (This book was reviewed digitally.)
Blandly inspirational fare made to evoke equally shrink-wrapped responses. (Picture book. 6-8)Pub Date: Jan. 10, 2023
ISBN: 978-1-250-81003-8
Page Count: 32
Publisher: Roaring Brook Press
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
BOOK REVIEW
Blandly laudatory.
The iconic animator introduces young readers to each “happy place” in his life.
The tally begins with his childhood home in Marceline, Missouri, and climaxes with Disneyland (carefully designed to be “the happiest place on Earth”), but the account really centers on finding his true happy place, not on a map but in drawing. In sketching out his early flubs and later rocket to the top, the fictive narrator gives Ub Iwerks and other Disney studio workers a nod (leaving his labor disputes with them unmentioned) and squeezes in quick references to his animated films, from Steamboat Willie to Winnie the Pooh (sans Fantasia and Song of the South). Eliopoulos incorporates stills from the films into his cartoon illustrations and, characteristically for this series, depicts Disney as a caricature, trademark mustache in place on outsized head even in childhood years and child sized even as an adult. Human figures default to white, with occasional people of color in crowd scenes and (ahistorically) in the animation studio. One unidentified animator builds up the role-modeling with an observation that Walt and Mickey were really the same (“Both fearless; both resourceful”). An assertion toward the end—“So when do you stop being a child? When you stop dreaming”—muddles the overall follow-your-bliss message. A timeline to the EPCOT Center’s 1982 opening offers photos of the man with select associates, rodent and otherwise. An additional series entry, I Am Marie Curie, publishes simultaneously, featuring a gowned, toddler-sized version of the groundbreaking physicist accepting her two Nobel prizes.
Blandly laudatory. (bibliography) (Picture book/biography. 6-8)Pub Date: Sept. 10, 2019
ISBN: 978-0-7352-2875-7
Page Count: 40
Publisher: Dial Books
Review Posted Online: Aug. 17, 2019
Kirkus Reviews Issue: Sept. 1, 2019
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