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STILETTO 911

THE MAKEOVER MANIFESTO OF A CAREER WOMAN

A spoiled rich girl’s wakeup call has an added twist in Schmidt’s first novel—the tale is designed to give women step-by-step instructions for establishing themselves in the world.

  At only 23-years-old, Morgan Demarest is kicked out of her boyfriend’s apartment with nowhere to go. Following the author’s introduction, Morgan quickly asserts herself as a shopaholic with a penchant for designer stilettos. It’s then that Demarest meets Divinity, her sassy fairy godmother who won’t tolerate Morgan’s whiny attitude. Divinity guides Morgan to a more purposeful life, and the story serves as an example for how women can give their lives a makeover. The book intertwines Morgan’s journey to find her life’s passion (an event planner, as it turns out) and helping women find their own life’s passion. Unlike most mundane self-help books, the story shows women how to reach their dreams without actually telling them. The “footnotes” at the end of each chapter further emphasize this point without preaching. Each footnote summarizes the lesson Morgan learned, including goal setting, finding a mentor, journaling, handling conflicts and making positive financial decisions. Although the story illustrates a person’s potential well, some aspects of the book are overdone. The characters don’t feel like average women; almost everyone starts a successful company, including Morgan, who at the end is on her way to being a very successful event planner. Morgan discovers her passion through her job at an art gallery, and, with advice from her no-nonsense fairy godmother, she figures out how to run her life without having money handed to her. Morgan’s journey is compelling, but the women’s desperate need for stilettos is exhausting. Despite these setbacks, the light-hearted story inconspicuously motivates women to do something with their lives.   A subtle blend of counseling, motivation and entertainment that will make any woman buy the hottest stilettos she can find and reach for her dreams.

 

Pub Date: Sept. 1, 2011

ISBN: 978-0615494784

Page Count: 270

Publisher: Glamour Press House

Review Posted Online: Jan. 23, 2012

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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