by Vlatko Vedral ‧ RELEASE DATE: yesterday
An iconoclastic take on the laws that shape reality.
Quantum physics without limits.
Physics is at a stalemate. Its two best theories—Einstein’s theory of gravity and quantum mechanics—can’t both be right. Vedral, a physicist at the University of Oxford, is placing all his bets on the quantum. Our physics woes, he says, come from our failure to see quantum theory as truly universal, governing everything from atoms to people to the universe. For this he blames proponents of the so-called Copenhagen interpretation for placing observers outside the scope of the quantum, granting them a special status to affect what they observe. Despite what you’ve heard, Vedral insists, nothing depends on the observer. “The story I want to tell,” he writes, “is actually more beautiful, engaging, and convincing than the versions we have all heard for too long.” The bulk of the book is concerned with possible (if not plausible) experiments to test the reach of the quantum. Can the gravitational field exhibit quantum entanglement? How about living things? Vedral claims that one experiment has already produced quantum entanglement between tardigrades (adorable micro-animals also known as moss piglets) and the components of a quantum computer. (Others claim it merely produced cold tardigrades.) Erwin Schrödinger famously (and facetiously) described a cat in a superposition of both dead and alive. Vedral wants to put everything in superpositions: bacteria, physicists, clocks, the flow of time itself. Understanding how truly quantum everything is may require new language, new analogies, new mathematics—even then, Vedral says, we may only accept the truth of the quantum when we ourselves can have quantum experiences. How? By redesigning our neurocircuitry to allow for “quantumly augmented perception.” These are wild ideas, which Vedral delivers with enthusiasm, technical know-how, and a few too many exclamation marks (“Heisenberg decided not to quantize time!” “Maybe the whole of mathematics just follows from the laws of physics!”). Average readers will find the details too abstruse. Readers immersed in popular physics may enjoy a new perspective. Is it more beautiful, engaging, and convincing than the rest? That depends on the observer.
An iconoclastic take on the laws that shape reality.Pub Date: yesterday
ISBN: 9781541604780
Page Count: 304
Publisher: Basic Books
Review Posted Online: Sept. 11, 2025
Kirkus Reviews Issue: Oct. 15, 2025
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by Michel-Yves Bolloré and Olivier Bonnassies ; translated by Rebecca M. West and Christine Elizabeth Jones ‧ RELEASE DATE: Oct. 14, 2025
A remarkably thorough and thoughtful case for the reconciliation between science and faith.
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A duo of French mathematicians makes the scientific case for God in this nonfiction book.
Since its 2021 French-language publication in Paris, this work by Bolloré and Bonnassies has sold more than 400,000 copies. Now translated into English for the first time by West and Jones, the book offers a new introduction featuring endorsements from a range of scientists and religious leaders, including Nobel Prize-winning astronomers and Roman Catholic cardinals. This appeal to authority, both religious and scientific, distinguishes this volume from a genre of Christian apologetics that tends to reject, rather than embrace, scientific consensus. Central to the book’s argument is that contemporary scientific advancements have undone past emphases on materialist interpretations of the universe (and their parallel doubts of spirituality). According to the authors’ reasoned arguments, what now forms people’s present understanding of the universe—including quantum mechanics, relativity, and the Big Bang—puts “the question of the existence of a creator God back on the table,” given the underlying implications. Einstein’s theory of relativity, for instance, presupposes that if a cause exists behind the origin of the universe, then it must be atemporal, non-spatial, and immaterial. While the book’s contentions related to Christianity specifically, such as its belief in the “indisputable truths contained in the Bible,” may not be as convincing as its broader argument on how the idea of a creator God fits into contemporary scientific understanding, the volume nevertheless offers a refreshingly nuanced approach to the topic. From the work’s outset, the authors (academically trained in math and engineering) reject fundamentalist interpretations of creationism (such as claims that Earth is only 6,000 years old) as “fanciful beliefs” while challenging the philosophical underpinnings of a purely materialist understanding of the universe that may not fit into recent scientific paradigm shifts. Featuring over 500 pages and more than 600 research notes, this book strikes a balance between its academic foundations and an accessible writing style, complemented by dozens of photographs from various sources, diagrams, and charts.
A remarkably thorough and thoughtful case for the reconciliation between science and faith.Pub Date: Oct. 14, 2025
ISBN: 9789998782402
Page Count: 562
Publisher: N/A
Review Posted Online: Oct. 7, 2025
Review Program: Kirkus Indie
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by Tom Wolfe ‧ RELEASE DATE: Sept. 24, 1979
Yes: it's high time for a de-romanticized, de-mythified, close-up retelling of the U.S. Space Program's launching—the inside story of those first seven astronauts.
But no: jazzy, jivey, exclamation-pointed, italicized Tom Wolfe "Mr. Overkill" hasn't really got the fight stuff for the job. Admittedly, he covers all the ground. He begins with the competitive, macho world of test pilots from which the astronauts came (thus being grossly overqualified to just sit in a controlled capsule); he follows the choosing of the Seven, the preparations for space flight, the flights themselves, the feelings of the wives; and he presents the breathless press coverage, the sudden celebrity, the glorification. He even throws in some of the technology. But instead of replacing the heroic standard version with the ring of truth, Wolfe merely offers an alternative myth: a surreal, satiric, often cartoony Wolfe-arama that, especially since there isn't a bit of documentation along the way, has one constantly wondering if anything really happened the way Wolfe tells it. His astronauts (referred to as "the brethren" or "The True Brothers") are obsessed with having the "right stuff" that certain blend of guts and smarts that spells pilot success. The Press is a ravenous fool, always referred to as "the eternal Victorian Gent": when Walter Cronkite's voice breaks while reporting a possible astronaut death, "There was the Press the Genteel Gent, coming up with the appropriate emotion. . . live. . . with no prompting whatsoever!" And, most off-puttingly, Wolfe presumes to enter the minds of one and all: he's with near-drowing Gus Grissom ("Cox. . . That face up there!—it's Cox. . . Cox knew how to get people out of here! . . . Cox! . . ."); he's with Betty Grissom angry about not staying at Holiday Inn ("Now. . . they truly owed her"); and, in a crude hatchet-job, he's with John Glenn furious at Al Shepard's being chosen for the first flight, pontificating to the others about their licentious behavior, or holding onto his self-image during his flight ("Oh, yes! I've been here before! And I am immune! I don't get into corners I can't get out of! . . . The Presbyterian Pilot was not about to foul up. His pipeline to dear Lord could not be clearer"). Certainly there's much here that Wolfe is quite right about, much that people will be interested in hearing: the P-R whitewash of Grissom's foul-up, the Life magazine excesses, the inter-astronaut tensions. And, for those who want to give Wolfe the benefit of the doubt throughout, there are emotional reconstructions that are juicily shrill.
But most readers outside the slick urban Wolfe orbit will find credibility fatally undermined by the self-indulgent digressions, the stylistic excesses, and the broadly satiric, anti-All-American stance; and, though The Right Stuff has enough energy, sass, and dirt to attract an audience, it mostly suggests that until Wolfe can put his subject first and his preening writing-persona second, he probably won't be a convincing chronicler of anything much weightier than radical chic.
Pub Date: Sept. 24, 1979
ISBN: 0312427565
Page Count: 370
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 13, 2011
Kirkus Reviews Issue: Sept. 1, 1979
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