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ONE WAY TO SPELL MAN

ESSAYS WITH A WESTERN BIAS

Sixteen brief, readable, but mostly undistinguished essays on writing, American culture, the Far West, and related topics. Stegner is best at close-up appreciations (he does a fine, knowing study of Ansel Adams), weakest at broad-brush literary or sociological theory (forgettable pieces on "The Writer and the Concept of Adulthood," "Excellence and the Pleasure Principle," etc.). Stegner spends much of his time talking about the West as the archetypal American region, a world he's devoted most of his career to. But the spontaneous affection that enlivens these pages often befuddles Stegner's judgment. "The characteristic American relation with the earth persists most strongly in the West," he tells us, not bothering to explain why the rural West (home of James Watt and his following) persists in savaging an environment that other parts of the country would like to see preserved. Stegner's naive faith in regional identity leads him to argue that "A white banker from Atlanta probably has as much in common with a black Georgia sharecropper as he does with another white banker from Salt Lake City or Seattle." Maybe when Stegner was growing up in Montana and Saskatchewan around 1914-1924, but not now. In his uncritical moments Stegner will wax patriotic ("In the process of taming and naming the continent, we produced an economy that was the envy of the world and a political system that despite its clanking has been the model for individual freedom"), only to snap abruptly out of it ("we have spread like ringworm from sea to sea") and sound like a normal guilty liberal. There are flashes of acumen here and there (on Canadian hostility to the US, for example), but otherwise a lackluster show.

Pub Date: April 1, 1982

ISBN: 0385177208

Page Count: -

Publisher: Doubleday

Review Posted Online: Oct. 5, 2011

Kirkus Reviews Issue: March 1, 1982

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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