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IT'S MONDAY, MRS. JOLLY BONES!

Amelia Bedelia may come to mind, but Mrs. Jolly Bones’ unconventional behavior reflects her originality and flair rather...

Mrs. Jolly Bones has a chore for every day of the week…but readers can be sure they’ve never done chores quite the way she does.

“It’s Monday, Mrs. Jolly Bones. / There’s laundry to be done. // So gather up the dirty clothes / and sort them, one by one. // Wash them, / dry them, / iron them, / and fold them nice and neat. / Then fling them out the window… // so they brighten up the street!” Tuesday is gardening day—Mrs. Jolly Bones takes care of her balcony garden…and then “polka[s] through the posy patch” with brio. Cleaning the house is on the docket for Wednesday, finishing with a bath in a most unusual place. Thursday’s shopping day—quite a list!—while Friday is for baking. Saturday’s for play, er wrestling, and Sunday is a day to rest. Tusa’s watercolor-and-ink illustrations are largely grayscale with splashes of pastel-colored highlights. While Mrs. Jolly Bones’ approach calls for energetic illustration, the busy spreads are perhaps too chaotic, and small things get lost on the pages. This is a shame, as the small things add so much delight: Mrs. Jolly Bones has a menagerie of animals that surround/help her.

Amelia Bedelia may come to mind, but Mrs. Jolly Bones’ unconventional behavior reflects her originality and flair rather than a lack of intelligence; would that more people flaunt their individuality…but maybe not in the toilet. (Picture book. 3-6)

Pub Date: March 19, 2013

ISBN: 978-1-4424-1229-3

Page Count: 32

Publisher: Beach Lane/Simon & Schuster

Review Posted Online: Jan. 15, 2013

Kirkus Reviews Issue: Feb. 1, 2013

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CINDERELLA

From the Once Upon a World series

A nice but not requisite purchase.

A retelling of the classic fairy tale in board-book format and with a Mexican setting.

Though simplified for a younger audience, the text still relates the well-known tale: mean-spirited stepmother, spoiled stepsisters, overworked Cinderella, fairy godmother, glass slipper, charming prince, and, of course, happily-ever-after. What gives this book its flavor is the artwork. Within its Mexican setting, the characters are olive-skinned and dark-haired. Cultural references abound, as when a messenger comes carrying a banner announcing a “FIESTA” in beautiful papel picado. Cinderella is the picture of beauty, with her hair up in ribbons and flowers and her typically Mexican many-layered white dress. The companion volume, Snow White, set in Japan and illustrated by Misa Saburi, follows the same format. The simplified text tells the story of the beautiful princess sent to the forest by her wicked stepmother to be “done away with,” the dwarves that take her in, and, eventually, the happily-ever-after ending. Here too, what gives the book its flavor is the artwork. The characters wear traditional clothing, and the dwarves’ house has the requisite shoji screens, tatami mats and cherry blossoms in the garden. The puzzling question is, why the board-book presentation? Though the text is simplified, it’s still beyond the board-book audience, and the illustrations deserve full-size books.

A nice but not requisite purchase. (Board book/fairy tale. 3-5)

Pub Date: Sept. 13, 2016

ISBN: 978-1-4814-7915-8

Page Count: 24

Publisher: Little Simon/Simon & Schuster

Review Posted Online: Oct. 11, 2016

Kirkus Reviews Issue: Jan. 1, 2017

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THE GRUFFALO

The action of this rhymed and humorous tale centers upon a mouse who "took a stroll/through the deep dark wood./A fox saw the mouse/and the mouse looked good." The mouse escapes being eaten by telling the fox that he is on his way to meet his friend the gruffalo (a monster of his imagination), whose favorite food is roasted fox. The fox beats a hasty retreat. Similar escapes are in store for an owl and a snake; both hightail it when they learn the particulars: tusks, claws, terrible jaws, eyes orange, tongue black, purple prickles on its back. When the gruffalo suddenly materializes out of the mouse's head and into the forest, the mouse has to think quick, declaring himself inedible as the "scariest creature in the deep dark wood," and inviting the gruffalo to follow him to witness the effect he has on the other creatures. When the gruffalo hears that the mouse's favorite food is gruffalo crumble, he runs away. It's a fairly innocuous tale, with twists that aren't sharp enough and treachery that has no punch. Scheffler's funny scenes prevent the suspense from culminating; all his creatures, predator and prey, are downright lovable. (Picture book. 3-6)

Pub Date: June 1, 1999

ISBN: 0-8037-2386-5

Page Count: 32

Publisher: Dial Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 1999

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