An opinionated, perceptive insider’s take on an unsung but vital part of America’s education system.
Community college teachers fight for their rights—and the soul of higher education—in Lanter’s feisty memoir.
Lanter (In This House of Men, 2010, etc.) taught English and philosophy at Southwestern Illinois College, a two-year public institution with a history of labor activism. Here he chronicles 25 years of union battles against an administration and board of trustees hell-bent on bringing the crass, exploitative norms of the corporate workplace into academia. The struggle involves familiar issues of pay, workload—officials were forever trying to impose “productivity” benchmarks on instructors—part-time staffing and the fight for recognition of the faculty’s American Association of University Professors bargaining unit. But in the background, Lanter contends, lie deeper conflicts over the meaning of a college education; namely, whether it should be a rigorous tutelage in academic disciplines conducted by professionals or—in extreme terms—a cheap, profit-generating commodity geared toward vocational training and employment credentialing, purveyed by glorified “drug-store clerks.” The narrative provides a comprehensive, if somewhat disorganized and repetitive, case study in academic and labor politics, immersing readers in pay tiers, overtime provisions and tenure guidelines. The author regales readers with the minutes of particularly rancorous meetings and the returns from county board of trustee elections and property-tax referenda. The level of detail is often eye-glazing, but there are dramatic episodes—including a sharp-edged 1980 faculty strike that ended in mass arrests—and an invigorating edge of scorn for the administration, its professorial cronies and its “insidious and parasitical” union-busting lawyers. Intertwined is a caustic, loose-jointed critique of higher education that takes swipes at watered-down grading, vapid learn-at-home telecourses, excessive concern for student self-esteem, junky “education” degrees and religious zealots who want to censor their profs; the whole “American capitalist ideology” under which “democracy has come to mean the right to make a corporate profit” also takes a hit. Lanter’s memoir may be, at times, curmudgeonly, but the author makes a cogent case for defending academic standards—and academics’ dignity—against an onslaught of business values.
An opinionated, perceptive insider’s take on an unsung but vital part of America’s education system.Pub Date: Feb. 9, 2012
ISBN: 978-0983841203
Page Count: 392
Publisher: Twiss Hill Press
Review Posted Online: April 20, 2012
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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