by William J. Mann ‧ RELEASE DATE: Oct. 3, 2006
A sprawling salute to an awe-inspiring, world-class actor.
Film biographer/historian Mann (Edge of Midnight, 2005, etc.) considers the vibrant life of a 20th-century icon with encyclopedic scrutiny and a pinch of whimsy.
While the author states that he considers himself a fascinated bystander rather than a Hepburn fan, this engaging, comprehensive biography certainly gives the impression that he is quite enamored of the celebrated actress (1907–2003) who was immortalized in Mary of Scotland, Bringing Up Baby, The Philadelphia Story, The African Queen and dozens of other cinematic classics. Mann never interviewed Hepburn herself, but canvassed a bevy of directors, close friends and intimate acquaintances for their perspectives, in addition to utilizing his subject’s newly available private documents. “I don’t want to rehash the familiar,” writes the author, who throws chronological logic to the wind and opts for a more textured approach. In his depiction, the fearless, eccentric actress eschewed classic Hollywood movie-star norms and tacitly challenged social, sexual and gender standards. An Oscar-winner at 26 (for Morning Glory), Hepburn nonetheless had an image problem; Mann’s examination reveals a proud, private woman who throughout the early 1930s dared to continuously don trousers while never managing to completely embody the mass media’s manufactured image of her. The author also takes risks, acknowledging the frequent speculations about Hepburn’s lesbianism and the sexual ambiguity of her wide yet closely knit inner circle of friends. Mann, who’s written several books about gay Hollywood (Behind the Screen, 2001, etc.), avoids labeling the actress and does justice to her odd marriage to Ludlow Ogden Smith. Mann recounts the untold stories of Hepburn’s life: her intrepid ascent from persnickety tomboy in Hartford, Conn., to performance royalty; her drinking; her loyalty to friends like lifelong confidante (and rumored lover) Laura Harding, among many others; and the ardent, transcendent affection she held for Spencer Tracy. Tapping into a wellspring of sources, the author has managed to reanimate with great skill and dexterity this shrewd, sophisticated woman.
A sprawling salute to an awe-inspiring, world-class actor.Pub Date: Oct. 3, 2006
ISBN: 0-8050-7625-5
Page Count: 608
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2006
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Ta-Nehisi Coates ; illustrated by Jackie Aher
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
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