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Krueger’s second novel (Iron Lake, 1998) again features ex-sheriff Cork O’Connor of hardscrabble Aurora, Minnesota, and plenty of harsh weather. Here, a top-of-the-charts but depressed, ex-druggy country-western girl singer, Shiloh, disappears into the two-million acres of the Quetico-Superior Wilderness on the Canadian border. Cork, an old buddy of Shiloh’s mother, whose murder remains unsolved, heads a search party that includes include two FBI agents, an ex-con, a ten-year old kid, and Shiloh’s father. Permeating the tale is the spirit of the Anishinaabe Indians, while the heavy pelts on the muskrats point to a huge, bitter winter ahead. Meantime, some bad guys have tortured to death Wendell Two Knives, the Anishinaabe guide, trying to get him to tell where Shiloh has gone, since they want her just as badly as Cork’s search party. Shiloh witnessed her mother’s murder, then had amnesia, and through regression therapy seems to have brought up the killer. Was he her mother’s lover, a Vegas casino owner named Benedetti, who now wants Shiloh dead? Does all this have to do with the Ojibwa’s cash-rich Grand Casino on Iron Lake? Why was Shiloh’s therapist murdered as well? Will Shiloh survive to rebuild Ozark Records into an outlet for indigenous music? Cork remains a spritely, intriguing hero in a world of wolves, portages, heavy weather, and worrisome humans, with a third entry on its way.
