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INSIDE THE SKY

A MEDITATION ON FLIGHT

Atlantic Monthly foreign correspondent Langewiesche (Cutting for Sign, 1993; Sahara Unveiled, 1996), himself an experienced pilot, explores the pleasures and challenges of flight in seven essays that are alternately philosophical, personal, and journalistic. Flight’s greatest gift, Langewiesche says, is to let us look around. The book itself takes a while to get off the ground but begins to soar with —The Turn,— in which Langewiesche vividly explores the aerodynamics of keeping aloft in layman’s terms, tracing as well the evolution of instrumentation for airplanes. —On a Bombay Night— and “Valujet” consider, in turn, the 1978 crash due to pilot error of an Air India 747 shortly after takeoff from Bombay airport and the 1996 Valujet accident in the Florida Everglades, blamed on a new scourge called a “systems error.” (In the Valujet crash, unused oxygen canisters shipped by mistake were ignited, causing a catastrophic fire soon after takeoff.) “Inside an Angry Sky” recalls the dismal days the author spent as a cargo pilot and details his continued interest in storm flying, or what he calls “hunting for bad weather.” In “Control,” Langewiesche spends some time in the control tower of Newark International Airport, whose runways are some of the busiest on earth, and he witnesses firsthand the animosity between the FAA, which makes the rules of aviation, and the controllers, whose job it is to keep the traffic moving. Systems accidents, overburdened air-control systems, deregulation, and competition can, of course, be blamed for these negative developments. The author raises the possibility of re-regulation, but suspects that the positive effects on safety would not be worth the negative effects on society, which would be “inflationary” and “anti-egalitarian.” A realist who says he rejects early flier-author Antoine de Saint-Exupery’s dreamy romanticism, Langewiesche is informative on aspects of the current commercial aviation scene, and his pared-down style conveys a refreshing humility and respect for flying. (Author tour)

Pub Date: June 8, 1998

ISBN: 0-679-42983-2

Page Count: 256

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1998

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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