A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on.
Mirth, magic, and mischief abound in this picture-book retelling of one of Shakespeare’s most famous plays.
Ariel, the beloved sprite whose conjurings precipitate the eponymous tempest, gets top billing in this adaptation and recounts the narrative in the first person. Through Ariel’s eyes, readers are introduced to the powerful Prospero, his lovely daughter, Miranda, and the shipwrecked nobles who are brought to the island to right an ancient wrong. Ellinas’ picture book largely divests the tale of its colonialist underpinnings and breathes three-dimensional complexity into the major and minor characters. Caliban, for instance, is monstrous due to his callous treatment of Ariel rather than because he is racially coded as savage. Another delightful change is the depiction of Miranda, who emerges as an athletic, spirited, and beautiful nature-child whose charms are understandably irresistible to Prince Ferdinand. The text is perfectly matched by Ray’s jaw-droppingly beautiful illustrations, which will enchant readers from the front cover to the final curtain. The greens of the waters and the blues of the island’s night sky are so lush and inviting that readers will wish they could enter the book. Peppered throughout the story are italicized fragments of Shakespeare’s dialogue, giving both young and older readers something to enjoy. Large, granite-colored Caliban is plainly nonhuman; the human characters present white; Ariel is a translucent, paper white.
A must-own adaptation chock-full of such stuff as kids’ dreams are—and will be—made on. (Picture book. 4-8)Pub Date: April 7, 2020
ISBN: 978-1-5362-1144-3
Page Count: 32
Publisher: Candlewick
Review Posted Online: Nov. 23, 2019
Kirkus Reviews Issue: Dec. 15, 2019
Sky-based pyrotechnics make for a fun if somewhat confusing telling.
In this collaboration between sci-fi novelist Sanderson and Amulet creator Kibuishi, an unreliable narrator informs readers that here be no dragons.
“A boy sat in a chair.” The book opens on a bespectacled, light-skinned child in old-fashioned attire. The narration continues, “That’s it. He just sat in a chair,” while on the opposite page, the boy’s chair has unexpectedly whisked him heavenward. The narrator attempts to convince readers that just sitting in a chair is boring. As the story continues, however, the boy is attacked by an array of sky ruffians operating vessels; fight scenes and impressive explosions ensue. A dragon makes an appearance as the narrator drones on about how dull the story is. Kibuishi’s detailed cartoon images depict an enticing steampunk-esque world. Adults reading this book to kids might want to read the text first without the pictures; on a second run they can show off the images, neatly illustrating the important interplay of text and visuals in sequential art. Unfortunately, for all that the illustrations maintain the action at a fair clip, near the end the plot grows muddled as the boy gets out of his chair but then tumbles to the ground: Was he falling and then trying to stop himself? Some adult intervention may be required to clarify what precisely is happening on the page.
Sky-based pyrotechnics make for a fun if somewhat confusing telling. (Picture book. 4-7)Pub Date: Sept. 24, 2024
ISBN: 9781250843661
Page Count: 48
Publisher: Roaring Brook Press
Review Posted Online: Aug. 30, 2024
Kirkus Reviews Issue: Oct. 1, 2024
This book sings.
Hamilton star Soo’s debut picture book centers on a young girl confronting stage fright.
Piper Chen twirls through her days with her mouth wide open. When Mr. Harris, her music teacher, asks Piper if she’d like to sing a solo in the Spring Sing, she immediately answers, “Yes!” But later, she finds herself frozen during practice. Later, Piper’s grandmother Nǎi Nai notices that Piper isn’t singing, and Piper explains about the solo and the butterflies in her stomach. Nǎi Nai understands and explains that she experienced “húdié” (Chinese for butterflies) at her first piano recital. They also visited whenever something exciting was ahead, like when she left China for America, when she graduated from music school, and when she became a U.S. citizen. “Now, when they greet me, I greet them back. ‘Hello, húdié. Nǐ hǎo.’” The night of the show, Piper feels the butterflies flapping their wings. She hums to herself, “Hello, húdié” and sings. Soo and Pasquale Doran sensitively capture the anxiety of performing and draw parallels with other life changes while giving readers a concrete tool for addressing those butterflies. Leng’s delicate, expressive ink, watercolor, and oil pastel illustrations capture Piper’s enthusiasm and uncertainty as well as Nǎi Nai’s loving warmth, working seamlessly with the text in vignettes and full spreads. Piper Chen and Nǎi Nai are Chinese American; Mr. Harris is brown-skinned.
This book sings. (Picture book. 4-8)Pub Date: April 2, 2024
ISBN: 9780593564691
Page Count: 40
Publisher: Random House Studio
Review Posted Online: Jan. 5, 2024
Kirkus Reviews Issue: Feb. 1, 2024
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