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THE KID OF CONEY ISLAND

FRED THOMPSON AND THE RISE OF THE AMUSEMENT PARK

It’s a backstage tour of the fair, but enter for the academic air. If it’s simple carny fun you seek, look for the egress.

After Barnum and before Spielberg, there was Fred Thompson, the perfect prototype of a 20th-century showman.

Now largely forgotten, Thompson (1873–1919) was not just an inventive entrepreneur of carefree amusement but no less than one of the makers of modern society, according to cultural historian Register (American Studies/Sewanee). The professor extracts much significance from the brief career of the promoter who devised extravagant Midway entertainments for expositions at the turn of the 20th century and developed the amusement park as we know it today. Thompson altered Coney Island much the way Disney changed 42nd Street when he built the fabled Luna Park in 1903, creating family entertainment where tawdry pleasures had ruled. He erected the gigantic Hippodrome in midtown Manhattan and filled it for a single giddy year (1905–06) with spectacle upon spectacle. A dedicated shop, the Industrial Light and Magic of its day, produced the Hippodrome’s lavish effects. When it became necessary to recruit backers, Thompson called on money men like the celebrated “Bet-a-Million” Gates. But all the kitsch, bunkum, and ballyhoo couldn’t support the constant need for cash, and eventually the music stopped. The Hippodrome, always losing money, finally succumbed under other management. Others took over Luna Park as well, though it survived in altered form until three fires killed it in the 1940s. But hardly more than a decade after Luna Park closed, Disneyland opened. Register spills much ink on sonorous pronouncements about the meaning of it all, citing, in particular, the impact of androgynous Peter Pan. There are many overdrawn digressions regarding architecture, toys, retailing, movies, space travel, sex, gender studies, and the zeitgeist in general. It’s an aggressively educational text, loading large social implications about the evolution of the amusement industry onto the sketchy story of one its important practitioners.

It’s a backstage tour of the fair, but enter for the academic air. If it’s simple carny fun you seek, look for the egress.

Pub Date: Sept. 1, 2001

ISBN: 0-19-514493-7

Page Count: 384

Publisher: Oxford Univ.

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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