A thriller that ably rakes through werewolf tropes in search of new territory.
From the author of The Whaler Fortune (2014) comes a Victorian supernatural thriller about a good man coping with a science-born curse.
In London 1841, Dr. Moyer Phillips keeps a ferocious black wolf captive in his lab. As a member of the scholarly—and secret—Golden Serpent Society, the doctor dedicates his studies to controlling mental illness. His test subject is a wolf primarily because, like humans, the species maintains a social hierarchy. “Chemically, I have introduced a controlled insanity,” he tells his colleagues. One night, Phillips finds his wolf prone and unresponsive, so he examines the animal—and is bitten. Meanwhile, Cecil Griffiths arrives in Ramsbury Barlow, outside London, to find work and living arrangements. He’s taken on by the Breggins estate, where he befriends fellow worker Burney and a boy named Davey. Cecil makes even better connections through the church, including the Windham family: Graham, Cynthia, and their daughter, Marie. He’s invited to dinner on their sprawling farm, but the night is interrupted by the attack of a humanoid wolf. During the ensuing carnage, Cecil is wounded by the creature, and he later finds that his hearing and other senses have sharpened. As grisly murders begin seizing London, Cecil struggles to find the good in each day. Author Michael imbues his thriller with a trenchant darkness reminiscent of Poe and Lovecraft: “The God of this world,” Cecil tells Burney, “is not concerned with the affairs of man.” Michael’s flair for gory action is a force unto itself, as when a suspect is “stabbing and strangling with the madness of a blind animal.” Much of the prose uses Victorian wordiness, which sometimes hinders the narrative; a policeman says, “We are threshing all leads with paramountcy.” Otherwise, Michael squeezes 19th-century London for all the sordid creepiness he can, using dustmen, a psychic, and Highgate Cemetery to amplify his tale. That most of the victims are evil speaks to the theme of self-defined justice, and the finale is suitably explosive.
A thriller that ably rakes through werewolf tropes in search of new territory.Pub Date: March 22, 2014
ISBN: 978-0-615-99596-0
Page Count: 338
Publisher: Alistair's Story Books
Review Posted Online: Aug. 31, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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