An ideal vehicle for readers to ponder and discuss their own identities.
After being repeatedly asked variations on “Where are you from?” the narrator finds out that “I’m from here, from today, same as everyone else,” is not an answer that will satisfy those asking. They want to know “where are you really from.”
The child, who has light-brown skin and hair worn in two afro-puffs, turns to Abuelo for help. He in turn “looks inside his heart for an answer.” Lyrical language and luminous illustrations convey his thoughtful response. “You’re from the gaucho, brave and strong.…But you’re also from the warm, blue oceans the copper warriors tried to tame…where our ancestors built a home for all, even when they were in chains because of the color of their skin.” By pointing out the child’s Argentinean and Puerto Rican cultural heritage as well as mixed racial makeup, Abuelo’s answer addresses the multilayered and varied possibilities of a Latinx identity. Ultimately, Abuelo points out, the questioning child comes from his love and that of all those who came before. The question of where someone is “really” from, in the United States, is too often understood as meaning: You look different; you must be from somewhere else. In this case, the illustrations portray a very diverse group of children and adults posing that very question, demonstrating the particular frustrations often experienced by people of mixed race.
An ideal vehicle for readers to ponder and discuss their own identities. (Picture book. 4-8)Pub Date: June 4, 2019
ISBN: 978-0-06-283993-0
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: March 30, 2019
Kirkus Reviews Issue: April 15, 2019
An uplifting tale of family connection and self-discovery.
Drawing inspiration from her rescue dog Clyde, Emmy-winning actor Aniston tells the story of a pooch seeking his passion.
The Clyde family are a talented bunch of canines: Uncle Clydester adores surfing, Auntie Clydette digs for dinosaur bones, and Great-Grandma Cly-Clyde dances salsa. “Everyone [has] something that [makes] them stand out”—except for young Clydeo, who doesn’t feel special. Clydeo sets out to discover what he loves, guided by an optimistic mantra: “Take a bite out of life, I always say!” As he tries out various relatives’ hobbies, he asks for advice: How will he know when he’s found his “thing”? Grandpa Clyderton, the daredevil, says that his passion makes him “light up.” Second cousin Clydesto, who paints blindfolded, says that art makes his world brighter. Plucky, persistent Clydeo keeps searching. He finds answers while helping his mother cook for a big family meal. “Clydeo [feels] a warm feeling in his belly…He love[s] his family, and he love[s] cooking for them.” Clydeo’s notion of taking a bite out of life proves to be his thing—cooking. The alliteration of the family members’ names, their kernels of wisdom, and the book’s lovable protagonist make for a pleasurable, meaningful read. Jacob’s illustrations of big-eyed, expressive dogs exude charm and personality and make searching for one’s passion seem like utter joy.
An uplifting tale of family connection and self-discovery. (author’s note, photos) (Picture book. 4-8)Pub Date: Oct. 1, 2024
ISBN: 9780063372368
Page Count: 32
Publisher: HarperCollins
Review Posted Online: Aug. 17, 2024
Kirkus Reviews Issue: Sept. 15, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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