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THE TELLING

An honest, unapologetic, and keenly observed memoir.

The intimate story of the sexual abuse the author experienced as a child as well as her sexual coming-of-age and development.

The Rumpus Sunday editor Zolbrod (Currency, 2010) was just 4 years old when her 16-year-old cousin, Toshi, who had moved into her home to escape a difficult family situation, began abusing her. Toshi left a year later, and the author did not speak of the incident to anyone. At 12, she finally blurted out her story to a friend who had just become sexually active. When she mentioned the molestation again, it was to Carl, a young man she met one summer in college and with whom she shared a profound erotic connection. Zolbrod discovered that, rather than seeming like an interesting but ultimately empty story out of “a V.C. Andrews novel,” her troubled past gave her “street cred” among the counterculture “ragamuffins” and sex workers who were her housemates. With Carl, she plumbed the depths of her own desire fiercely and without shame. Yet subsequent relationships mirrored the deep-seated unease she also felt about her sexuality. One in particular was with a Chicago artist whose work reflected his obsession with circumcision and the rage he felt at having been “mutilated.” Influenced by her association with Carl, the author found herself crying spontaneously over her memories of molestation. Finally telling her mother and father about Toshi only intensified her confusion; neither assumed the roles of outraged parents she “had retroactively assigned them.” Only after she was in her 30s and learned that Toshi had been convicted of aggravated child assault did she begin to free herself from her past by more actively confronting it. Zolbrod’s fragmented narrative style, which moves between life episodes rather than chronologically, perfectly captures her fractured sense of self. What makes this book so memorable, however, is the courage she eventually found to move beyond the paralyzing “web of loyalty and blood” to tell her truth.

An honest, unapologetic, and keenly observed memoir.

Pub Date: May 10, 2016

ISBN: 978-1-940430-74-4

Page Count: 264

Publisher: Curbside Splendor

Review Posted Online: Feb. 29, 2016

Kirkus Reviews Issue: March 15, 2016

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BETWEEN THE WORLD AND ME

NOTES ON THE FIRST 150 YEARS IN AMERICA

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Awards & Accolades

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  • Pulitzer Prize Finalist

The powerful story of a father’s past and a son’s future.

Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”

This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”

Pub Date: July 8, 2015

ISBN: 978-0-8129-9354-7

Page Count: 176

Publisher: Spiegel & Grau

Review Posted Online: May 5, 2015

Kirkus Reviews Issue: July 1, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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