Tara Conklin’s law background directly influenced the plot of her debut novel The House Girl—one of its two main characters, Lina, is a lawyer—but Conklin’s former profession also affected how the story made its way onto the page.
“As a lawyer, you bill in six-minute increments,” Conklin says. “It’s amazing what you can get done in .2 of an hour.” Conklin wrote The House Girl in moving cars, as a passenger, pausing to hand her children snacks in the backseat. She wrote in the mornings, at night, and—don’t tell her bosses—sometimes even ...
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