It was an inspired but utterly accidental moment when Arthur Conan Doyle, a Scottish doctor struggling to establish himself both as a physician and as a writer in late Victorian London, drew upon the habits of an irascible medical school mentor to concoct a character that he pegged as a “consulting detective,” an utterly newfangled job description.
Doyle blended those habits with the conventions of a genre then only a few decades old—and pioneered by the then nearly forgotten American writer Edgar Allan Poe—to produce the figure he called Sherlock Holmes, rangy, distracted, drug-addicted, much more at home ...
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